Less means more…a certain idea of music: Bill Callahan, 5th May 2017, Hoxton Hall – Brad Mehldau Trio, 19th May 2017, Barbican

Quite often, I realised afterwards that there had been a certain trend in a few gigs I attended in a row. Purely coincidental I guess…but good to fight writer’s block and get a new approach to concerts’ reviews!

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Bill Callahan and Brad Mehldau do not play exactly in the same musical field as the former could be described as an indie-folk songwriter, guitar player and singer whereas the latter is more associated with the jazz scene and is probably the most talented piano player of his generation. However, this would be too easy and lazy a shortcut. Bill Callahan’s music has always been something very personal which would not have the same weight if held by another singer. His music has evolved throughout the years towards more warmth and optimism than in the past whilst still keeping this intriguing and sometimes frightening aspect.

Brad Mehldau on his side is a supreme talented and gifted piano player but his musical tastes and his personality have always made him more than a jazz performing monkey as is unfortunately often the case in this music scene. He is famous in particular by his superb and very personal covers chosen in the pop and rock scene, The Beatles and Radiohead being good examples.

The main thing that made me think to link both musicians and concerts was their use of silence either in their songs…but also in the way they once in a while communicate shyly with the audience! I would recommend my beloved readers to read the article by clicking on this Sydney Morning Herald article which says it all on the relationship between Bill Callahan and silence. Same kind of thing for Brad Mehldau either in his capacity in playing just a few notes only, even during his songs à la Pink Floyd’s David Gilmour or when he collects his thoughts while patiently listening to his musicians during their solos.

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These two concerts were also quite similar in their stage nakedness. Bill Callahan was sharing his small space on stage with long-time collaborator Matt Kinsey on electric guitar. The latter is also responsible to the excellence of Bill Callahan’s concerts in the last years as his playing can go very quickly from a very sensitive ballad to repetitive loops and drones. Brad Mehldau was playing with his regular trio, i.e. Larry Grenadier on bass and Jeff Ballard on drums whom I both had the pleasure to see live with Pat Metheny in Brasil in 1999. This rhythm section is probably one of the best ever but once again Brad Mehldau’s strength is to make them play in the same spirit as his’.

Two great gigs then for two musicians whose stage presence equals beauty and subtlety. Highly recommended. Please click for Bill Callahan’s setlist. I did not find Brad Mehldau’s set list but recognised his ending the show with the wonderful “Still Crazy After All These Years” by Paul Simon.

P.S. No photos allowed at the Barbican so this Brad Mehldau Trio’s picture is not mine.

Best of 2013 : Top 20 !

2013 was one of these years… Every year is great when you are a real music fan as there are reasures to discover in pop, soul, rock, metal, hip hop,…any style. But 2013 was special and I had to put apart excellent records that would have been here other years (hello My Bloody Valentine, Iron & Wine, Franz Ferdinand and many others…). Difficult as well for newcomers to join the crew so good were the more famous artists who had been there forever and/or made unexpected comebacks.

Albums

 

Album of the Year – Nick Cave & The Bad Seeds “Push the Sky away”

 Nick Cave has made so many great albums that a new one is sometimes seen as “another excellent Nick Cave album”. That was my reaction at first and although I liked it a lot, it became slowly but surely my number one throughout the second part of the year. Amazing songs, great lyrics, less guitar, more melodies, Warren Ellis more and more present as lieutenant…and that’s it. We have with Nick Cave an amazing musician and singer, who keeps a very humble attitude and tends to simplify his art with age (as many great painters did in the past) so discover him if not done yet and cherish his music.

Nick Cave and the Bad Seeds, Paris Zenith 2013, holding hands

From Paris, November 2013 concert

The rest of my top 20 (by alphabetical order)

  Arcade Fire“Reflektor” Arcade Fire have been back in 2013 and the least one can say was that indeed difficult to miss them being back. Lots of hype around the name (they took the fake “The Reflektors” tag to play here and there), around their new sound (more rhythm thanks to LCD Soundsystem James Murphy), around their mystery guests (hello again David Bowie)… but at the end of the day how were the songs and the LP? Well,…good enough to be in this Top 20 but probably not as good as their previous LP’s “Funeral” and “The Suburbs”. They remain though one of the most interesting bands of our times, the way they are looking for new ways to do music is refreshing (despite the quite irritating marketing plan around it) and with the song “Reflektor” they had an amazing hit.

 Arctic Monkeys – “AM” The little boys from Sheffield are now mid-20’s adults living in California and AM is already their fifth (!) LP. I hesitated a bit before putting this album as well but not anymore after a few recent listening as such powerful and melodic their music still is. For those who love at the same time Brit-pop and stone-rock (me!), this album is a must (and quite well ranked everywhere in the UK).

 David Bowie“The Next day” What can I say except that 2013 was a weird year with the totally unexpected come-back from such a great artist to the music biz but as well amongst the world of the living whereas my indestructible other idol Lou Reed left us in October… The 8th of  January in particular had been an important day with David Bowie showing to the world a new single the day of his 66th birthday and the fact that a new LP was to arrive in March. The Next Day is a superb album, as good as the last ones he had done in the early 00’s and with the usual great partners, such as for instance Toni Visconti at the production wheel or Gail Ann Dorsey on bass. Amazing 10-minute remix of “Love is lost” from James Murphy (again!) available on the limited edition of the album mixing typical LCD Soundsystem and a few musical phrases from “Ashes to Ashes”.

Image result for bill callahan dream river Bill Callahan“Dream River” A new LP by Bill Callahan might be the equivalent of new Woody Allen or Coen Bros movies : very regular in production, you go there more by habit than will, it sounds or looks familiar at first sight or listening but then you realise that these guys are real masters in what they do and that their art is always on top of the rest. No revolution here in Bill Callahan’s music but very humble and funny lyrics with beautiful melodies and a very crafted way to make it sound modern. If you do not know yet this artist, “Dream River” is the album to start with.

Image result for wise up ghost Elvis Costello and the Roots“Wise Up Ghost” I tend to be suspicious and to freeze my enthusiasm when two of my favourite artists from different horizons join forces to make music together as this is often deceptive. Fortunately the association of Elvis Costello with what might be the best hip-hop band of the last fifteen years has given beautiful results. The strength of this album is that both these artists collaborate on a kind of “intermediary” music (say neither rock, nor hip-hop) giving what could be the Tamla Motown sound of today. The most unforecasted collaboration of the year for a very recommended album.

 Mikal Cronin“MCII” One of the rare newcomers in this Top 20 list, Mikal Cronin is a young American part of the Ty Segall garage-rock frame. However, his music is more balanced than the rest of his fellow friends with a mix of folk sensitivity and indeed sometimes heavier garage-rock sounds. Melodies are superb throughout this album, which explains its presence in our Top 20.

 Daft Punk“Random Access Memories” Like Arcade Fire, Daft Punk‘s return has been precisely prepared and implemented and one could feel concerned about what was really at stakes. But who cares when the music is so good… and so different vs. what the band had done before. To make it short, let’s stay that Daft Punk went with this record from the numeric to the analogic age with subtlety, envy and creativity. You have been dancing and listening to “Get Lucky” for almost a year now so I will not dare tell you that this single is indispensable and probably the best hit song since Gnarls Barkley “Crazy”. What makes this LP so amazing as well is the way the band and their guests managed to get the best from each others. The real master of this album by far is the fantastic drummer Omar Hakim ; he is the one keeping this heartbeat rhythm throughout the album and making it the work of robots starting being human. (almost) #1 record of the year…

 Darkside“Psychic” Darkside is a project held by the American-Chilean dance music producer Nicolas Jaar with the (great) help of guitarist Dave Harrington. Together, they do produce fantastic electro music, succeeding to make it sound at the same time very fresh and very 70’s. This is probably not by chance that their project’s name is a part of Pink Floyd most famous album. I personally had an amazing experience when I saw them live at the Paris Pitchfork festival so euphoric and dreamy their music is.

 Junip“Junip” Junip is a Swedish trio lead by semi-famous pop/folk singer José Gonzalez and this album is their second LP after “Fields” in 2010. They clearly played tougher with this album, not in the sense that they suddenly starting making death-metal guitar riffs but more in the fact that they mixed their usual beautiful folk songs with new repetitive rhythms not far from those made famous by 70’s German bands (CAN, NEU!, etc…). A real grower too as each new listening make this album better and better.

 Mark Kozelek and Jimmy Lavalle“Perils from the Sea” One of the four (!) LP’s offered this year by the great Mark Kozelek and all surprisingly fresh and different (one is live “at Phoenix Public House Melbourne“, one is a covers LP “Like Rats” and the other one is a collaboration with US band Desertshore). This one is for me the best of the four probably because Mark Kozelek had not been involved in such fresh sounds for years. Jimmy Lavalle is more famous as leader of electro-pop band The Album Leaf and one can feel all what he brought to this collaboration. Red House Painters fans will find Mark Kozelek’s voice as beautiful as ever but probably in more dynamic and smiling environment (do not get wrong, I am the #1 fan of his usual depressive songs…).

 Laura Marling“Once I was an Eagle” Laura Marling is a young 23-year old British singer and this album is already her 4th album (!). I guess I never talked about her before in this blog whereas her music has been a constant pleasure for years now. She put herself in danger here by letting her UK band behind her to record this album in Los Angeles with new musicians. But I would tend to say that the real star of the show is her in all her records so impressive is her maturity and voice for such a young lady. The first four tracks of this record are a kind of post-break up suite when one can really feel the 3 am mood of serene hope after difficult times. If these comments remain unclear, think Laura Marling as the Joni Mitchell of our times, no less.

 The National“Trouble will find me” The National are really getting better and better with each release. This might seem too affirmative a sentence in relation to their last LP’s that have been regularly in our best of’s of former years but this album is a good as all previous ones regarding chords and arrangements but probably stronger in terms of melodies and emotion (“happy/sad”). If you are familiar and attracted to their music, you really should catch them on stage. I saw them live twice in 2013 and this has been every time an amazing moment.

 Nine Inch Nails“Hesitation Marks” Another excellent come-back as the band was on infinite hiatus since 2009 but it looks like the different very good projects Trent Renznor was having on a parallel side were not rewarding him enough compared to the thrill of being back on record and on stage with his main band Nine Inch Nails. Very long and deep album which will request many listening to get over all its treasures. Same as for The National with Nine Inch Nails ; if you like them, seeing them live is a must.

 Prefab Sprout “Crimson/Red” Talking about comeback, this one was probably the most surprising of them all. Of course, there had been a few albums since Prefab Sprout’s great years (basically the 80’s) but more often these good records were recordings from the past. This is not the case with this new album which has been made alone by Paddy McAlloon. After many serious health issues, he is looking now like an old wise man with long white hair and beard but his songs (and voice) are that of a young man in his late 20’s in love. Probably the most moving album of the year.

 Queens Of The Stone Age“…like Clockwork” Amazingly enough, it had been six years since the previous QOTSA album and one did not feel such a long time due to their leader Josh Homme’s presence in many projects. However, he had disappeared for a few months in 2012 as he faced a surgery that did not go well and had a near-death experience. After double-thoughts about his career and the meaning of life, the big man came back to what he is famous for : music that rocks like hell ! Well, sort of as this album is probably the most melodic and quiet one and should bring new fans to one of the greatest bands of our times.

 Trentemøller“Lost” Our favourite Danish dance artist/producer has been back recently with this very good album which did not make a lot of noise amongst the specialists. This is a shame as one can find the post-punk mixed with electro kind of music for which he is so good at (say This Mortal Cole with a Daft Punk Vibe…). Many great guests as well on this LP, including Mimi Parker from Low.

 Kurt Vile“Wakin on a Pretty Daze” This blog’s author is quite a fan of Kurt Vile and I have seen him live twice this year. What makes this young man so good and above the rest of all the fine American rock writers? Probably the way he has of not playing 100% of the biz game and being naive at the same time. Musically speaking, those who like their songs long and repetitive as in the best Neil Young LP’s will get love at first sight with Kurt Vile.

 Kanye West“Yeezus” You all know Kanye West, one of the richest musicians ever, with an ego the size of a continent, his celebrity-life, his ridiculous videos, the way he talks to the media basically about …anything. But this is not the Kanye West I like ; the one I know is one the greatest artists of all times, making fantastic albums in a row, always changing style, inventive and creator of superb melodies. This LP was tougher after the first listening (almost sounding like the NY 70’s band Suicide for those familiar) but deserved attention as this was as good as his best work. Funny as well to hear Daft Punk on many tracks playing dark and scary electro whereas they chose soul sounds for their own LP.

 Yo La Tengo“Fade” Another great LP from Yo La Tengo with as usual the same beautiful split of cool ballads and furious saturated rock songs. Having seen them live this year was as great as before and having the honour to get a 5-minute chat with them at the Paris Pitchfork Festival made my year. In this sad 2013 year where our rock master disappeared, there is no better band as Yo La Tengo to bear the Velvet Underground sounds.

Other top 5’s :

  • New Musical Express (UK weekly mag.): 1. Arctic Monkeys “AM” 2. Kanye West “Yeezus” 3. Queens Of The Stone Age ”…Like Clockwork” 4. Foals “Holy Fire” 5. Savages “Silence Yourself”
  • Uncut (UK monthly mag.): 1. My Bloody Valentine “mbv” 2. David Bowie “The Next Day” 3. Nick Cave & The Bad Seeds “Push The Sky Away” 4. John Grant “Pale Green Ghosts” 5. Laura Marling “Once I Was An Eagle”
  • Mojo (UK monthly mag.): 1. Bill Callahan “Dream River” 2. Daft Punk “Random Access Memories” 3. David Bowie “The Next Day” 4. Arctic Monkeys “AM” 5. John Grant “Pale Green Ghosts”
  • Paste (US web mag.): 1. Phosphorescent “Muchacho” 2. Mikal Cronin “MCII” 3. Foxygen “We Are The 21st Century Ambassadors Of Peace & Magic” 4. Janelle Monae “The Eletric Lady ” 5. Deerhunter “Monomania”
  • Pitchfork  (US website): 1. Vampire Weekend  “Modern Vampires Of The City” 2. Kanye West “Yeezus” 3. Disclosure “Settle ” 4. My Bloody Valentine “mbv” 5. Danny Brown “Old”
  • Les Inrockuptibles (French weekly mag.): 1. Arcade Fire “Reflektor” 2. La Femme “Psycho Tropical Berlin” 3. Daft Punk “Random Access Memories” 4. Nick Cave & The Bad Seeds “Push The Sky Away” 5. Jagwar Ma “Howlin”
  • Magic rpm (French monthly mag.): 1. Aline “Regarde Le Ciel” 2. Phoenix “Bankrupt!” 3. Minks “Tides End” 4. La Femme “Psycho Tropical Berlin” 5. Arcade Fire “Reflektor”
  • New Noise (French bimester mag.): 1. Jessica 93 “Who Cares” 2. Nick Cave & The Bad Seeds “Push The Sky Away” 3. Fuck Buttons “Slow Focus” 4. Ventura “Ultima Necat” 5. Marvin “Barry
  • Sound Opinions (US music podcast)   Greg Kot’s 1. Parquet Courts “Light Up Gold” 2. Chance The Rapper “Acid Rap” 3. Allen Toussaint “Songbook” 4. Darkside “Psychic” 5. Savages “Silence Yourself”     Jim DeRogatis’ 1. Savages “Silence Yourself” 2. Parquet Courts “Light Up Gold” 3. Chance The Rapper “Acid Rap” 4. Foxygen “We Are The 21st Century Ambassadors Of Peace & Magic” 5. Lorde “Pure Heroine”
  • Fargo (Paris records store): Top 2013 records in no particular order
  • Ground Zero (Paris records store): Top 10 in no particular order
  • Other Music (NY records store): Top 30 in no particular order

Reissue of the Year

Nirvana “In Utero” Much more than “Nevermind” or “Unplugged”, “In Utero” was Nirvana‘s masterpiece. No need to argue beloved readers ; this is a fact ! This magnificent box-set include 3 CD’s of the original album with the mix we all know plus mixes of what it could (should?) have been plus a lot of alternate versions and a tremendous MTV live show (also including as a DVD) which shows all the power of the band and the genius Kurt Cobain was. Read in particular the letter that producer Steve Albini wrote to the band to convince them to work with him to understand what love of music is about.

Music Movie of the Year

Dave Grohl “Sound City” Very moving and energizing movie from Dave Grohl explaining how such a great studio Sound City, California was (home of many historical records such as Fleetwood Mac “Rumours” – great reissue as well this year by the way – and Nirvana “Nervermind” for instance), how it slowly got less famous vs. new technologies and how he bought the mixing desk and brought it back to life. The music is extraordinary throughout the movie and there are many guests bringing back this place to life. Watching in particular Paul McCartney with the surviving members of Nirvana or Josh Homme playing with Trent Renznor is a must. Watch the movie and buy the album.

TOP 100 Artists/Bands of all Times : 46 – 50

I hope you have enjoyed the bottom half of our TOP 100 as now is the time to get serious and stop foolin’ around : here are the first names of the TOP 50!

50. Crosby, Stills and Nash

 from : Laurel Canyon, California, USA / first great sounds : 60’s / style : voices and melodies / essential albums : Crosby, Stills & Nash (1969) , Déjà Vu (1970)

…and sometimes Young, or David Crosby solo, or Stills-Young, or Crosby & Nash, or Stephen Stills with Manassas, or Graham Nash solo, knowing that Stills and Young were The Buffalo Springfield leaders, that Graham Nash was singing in British band the Hollies and that The Byrds would not have been what they were without David Crosby,…well I think you got my point. Difficult to find more influential musicians and personalities in the music business. Listen to the voices again and enjoy.

49. Scott Walker

 from : Hamilton, Ohio, USA  / first great sounds : 60’s / style : existential pop / essential albums : Scott (1967), Scott 2 (1968), Scott 3 (1969), Scott 4 (1969)

Born Noel Engel, Scott Walker has been living three distinct musical lives : the first one in the mid-sixites when he came to England to become pop phenomenon with the Walker Brothers, the second one in the late 60’s and early 70’s when he made intense and beautiful records mixing an American feeling with European influences (hello Jacques Brel) and the third since the mid-80’s when he does a new experimental LP every five to ten years. Dive into his recommended albums and be a different person.

48. Prince

 from : Minneapolis, MN, USA / first great sounds : 70’s / style : above funk / essential albums : Purple Rain (1984), Around The World In A Day (1985), Parade (1986), Sign ‘O’ The Times (1987)

We tend to like our heroes dead or keeping on being excellent and this is always a bit painful to see Prince still being there and making…quite ok records and living as a recluse when he used to rule the 80’s. By far the most innovative artist of that decade, he took the flame from Sly Stone but went even further in his musical melting point, mixing basically all genres and styles. A great artist, creator, singer and guitar player, let’s still revere Prince and thank him for what he brought to the world of music.

47. Joy Division

 from : Manchester, England / first great sounds : 70’s  / style : post punk / essential albums : Unknown Pleasures (1979), Closer (1980)

Probably one of the most intense and influential bands ever, Joy Division was a Manchester band formed by four friends and whose singer Ian Curtis hung himself just before success were to become massive. You can watch the excellent movie Control for more detail about Ian Curtis and the gloom atmosphere of Manchester in the mid and late 70’s but you should as well revisit their two LP’s and great singles as you will never find elsewhere such originality in a band. The remaining members would form New Order after their singer’s death but this is another story described elsewhere in this TOP 100.

46. Bill Callahan / Smog

 from : Silver Spring, MD, USA / first great sounds : 80’s  / style : modern times’ troubadour / essential albums : Knock Knock (1999), Dongs Of Sevotion (2000), Apocalypse (2011) / Click for more on the blog

Just a quick reminder to start with : Bill Callahan = Smog. This blog’s faithful followers will not be surprised to find him here and I would suggest to click on the link above if you want more (pictures, videos) about the great Bill. A very normal and humble person, this man matured beautifully with time and what was at first shyness and a sense of being insecure is now felt as serendipity in his music. A great story-teller with a gift for timeless melodies.

Best of 2011 : Top 20!

So here we are again, putting names and feelings and rationality in boxes and ranking… Not sure what for once more and I agree that it may seem pointless in such a history-weighted year with acceleration of events everywhere on our little planet, except as always the envy of sharing a great artistic passion in these troubled times. A year spent seeing many bands live, buying, listening and hearing literally hundreds of records, files, videos, sites, magazines, etc.. and here are the results with a Top 20 albums of 2011. Please comment, buy, listen, take a guitar and play, go to a show, whatever but any little action would mean a lot for your host. If you could particularly give your Top 3 of the year in the comments, that would be very much welcome. And if you had not been on the blog since a year ago, there are plenty of reviews to read so advertise it!

Cover (The English Riviera:Metronomy)  Album of the Year – MetronomyThe English Riviera” Really easy choice this year as this gorgeous LP did not suffer any competitors to get the number one tag, as far as I am concerned. Lead by Joseph Mount, Metronomy is an English band and this is their third album. Last one was quite good but what makes a band go from good to great is always a fascinating phenomena. With a new rhythm section (and what amazing drummer and bassist Anna Prior and Gbenga Adelekan are…), this record left a bit aside the electro side they were famous for to create pop music that is at the same time smart, danceable, intelligent, popular and…well, simply great. I would assimilate this record to the best done by LCD Soundsystem but with an English perspective. In “The Bay”, one of the best tracks of the LP, Joseph Mount sings the following lyrics “…You may have the body but do you have the songs?”. Dear Joseph, you do not have one but eleven fantastic songs and you made by far the album of the year.

Cover (Apocalypse:Bill Callahan)  My number 2 – Bill CallahanApocalypse” Bill Callahan has been an old friend (metaphorically speaking of course) of this blog and you might want to review the two concert reviews done this year on the blog. What makes the former Smog leader get in such a high position in our best of this year? Probably the fact that with these seven songs he succeeded more than ever to make simple and acoustic music sound deep. A very deep voice, deep lyrics and deep emotional music, I strongly recommend this LP to anyone who is attracted to ageless music.

Cover (C'mon:Low)  My number 3 – LowC’mon” Talking about emotion, simplicity, many albums done and two shows reviewed this year, here is my bronze medal of the year. Still based on the core married couple of Alan Sparhawk and Mimi Parker, Low plays very very slow music which could be compared to grunge music played for churches. I admit this is an easy shortcut but their music has been a beauty for many years and this record is amongst their best.

Other great records of my top 20 (by alphabetical order)

Cover (El Camino:The Black Keys) The Black KeysEl Camino” The Black Keys took everyone by surprise with this record that went out late in the year in December but their formula is more efficient than ever. Written with the help of DJ Danger Mouse (cf. below), this LP is less soulful than the previous one “Brothers” and closer to their original drums and guitar formula but sooooooooooo good! Video of the year as well for the “Lonely Boy” video ; if your feet do not move, you must be reading this from heaven or hell.

Cover (Rome:Danger Mouse) Danger Mouse and Daniele LuppiRome” I would never have enough words to praise the great Danger Mouse (real name Brian Burton) whose projects are all great, either mixing The Beatles and Jay-Z for the “Grey Album”, making an album with the singer of the Shins or as half-part of the soul/pop/hip-hop duo Gnarls Barkley. This year, he recorded an homage to italian movies of the 70’s with one Daniel Luppi, actually playing with musicians that used to play on Ennio Morricone records. The two guest singers really made the difference here: Norah Jones (her best work ever!) and Jack White always on top and concentrating on his beautiful voice. THE surprise of the year.

 Daniel DarcLa taille de mon âme” Our usual Frenchie in this list is one again Daniel Darc. Please read his story in this blog’s review of his late concert in Paris. It may be a bit tricky for non-French speakers to get it and awkward for French-speakers as well as this is pure emotional music but with a rock’n’roll mindset as well. Most funny lyrics with “J’ai peur des noix de coco depuis Keith Richards, j’irai en enfer avec Richard Hell”!

Cover (Skying:The Horrors) The HorrorsSkying” Very close to the podium for this English band for their third LP. Their second one was already one of the best of 2009 and for this one they decided to produce it themselves. They are now definitely amongst the great and these guys are really in love with music, mixing 60’s psychedelic and post-punk influences in a great way. Faris Badwan is for me the man of the year as he did another great album as half of duo Cat’s Eyes (great name too!). Please click on to read review of their Rock en Seine show.

Cover (Kiss Each Other Clean:Iron & Wine) Iron And WineKiss Each Other Clean” When one clicks Iron and Wine in allmusic website, one gets Iron Maiden as first choice of related bands! Thank you allmusic as I could describe their music as completely the opposite although I have nothing against pure good metal once in a while. Lead by the multi-talented Sam Beam, this record is beautiful as always as far as melodies are concerned but this time with more musicians and richness which makes it above what he did before. Best show of the great Austin City Limits festival as far as I am concerned as well.

Cover (I Am Very Far:Okkervil River) Okkervil RiverI Am Very Far” Another one of these bands coming from Austin, Texas, mixing at the same time epic songs in a very subtle environment. One more, why this record compared to the previous ones done before? Probably a question of timing and the fact that I had been very enthusiastic about the show they played in Paris this year. Discover this band and you will be rewarded.

Cover (Last of the Country Gentlemen:Josh T. Pearson) Josh T. PearsonLast Of The Country Gentlemen” A resurrection here coming from the former leader of Texas band Lift to Experience. After years spent in the wilderness and thanks in part to a Creperie (!) restaurant in the 14th arrondissement of Paris, Josh Pearson gave us this year his first solo LP, mainly acoustic and with very long but captivating songs. Click on for review of the show he did this year at the Café de la Danse in Paris.

 RadioheadThe King Of Limbs” One of our favorite bands ever, Radiohead went on playing tricks with their fans this year by getting this new record out of nowhere at the start of the year with the same policy as their last album “In Rainbows” with download first before any physical format such as the traditional CD or a limited edition with vinyl and newspaper inside. And the actual music in here? Well, a bit weird as impossible to remember a song from scratch but every time the needle gets on the record, one has to admit that Radiohead is still a top band, mixing electro sounds with great rhythm and the gorgeous voice of Thom Yorke.

 Lou Reed & MetallicaLulu” This may be probably the record that brought the most hatred in the music press and web community. I think I had never seen the critics so divided but boy, when people did not like it, they made it known! I personally liked it a lot and felt that this improbable meeting of two kinds made tremendous loud…but quiet music as well. I had seen Robert Trujillo in the audience attending Lou Reed show in Paris this year and one has to know that the great Lou is not in good physical shape, suffering from diabetes. The story “Lulu” is based on the play adapted by Robert Wilson on the story of this 19th century lady who fell down from high society in the gutters of life. Listen without prejudice.

Cover (Undun:The Roots) The RootsUndun” 2011 has not been the best hip-hop year for your host as I did not get the fuzz around the Odd Future crew and as Jay-Z and Kanye West’s common album was nice whereas we were expecting much better. So back to one of hip-hop oldest and best bands to deliver the goods…very late as this LP went out mid-december. The Roots are now hosting the “Late Night with Jimmy Fallon” show in the US and it gave them access to their studio on a 24/7 basis, allowing them to experiment basically with whatever they have in mind. “Undun” is based on the story of a guy growing, living and dying in the suburbs and was inspired by an old track from Sufjan Stevens. Mixing genres, beats and singer, this LP is a real grower, better with every listen and finishing with a classical suite (not very common in hip-hop) on which Sufjan Stevens plays the piano.

Cover (Strange Mercy:St. Vincent) St. VincentStrange Mercy” This is the third album done by Annie Clark under the St. Vincent moniker and she really grows in stature with every year that goes on. This pretty and shy young woman makes today the most original music I know from a female perspective but always with a sense of melody. Discover this great artist, either by clicking on earlier review of her reinterpreting Tom Waits or in the excellent 4AD label sessions.

Cover (Marble Son:Jesse Sykes & the Sweet Hereafter) Jesse Sykes And The Sweet HereafterMarble Son” One of the best surprises of the year for me as I had associated Jesse Sykes with nice but sometimes boring pure Americana music in the past. Wrong! Her new album mixes at the same time nice melodies and handcrafted American epic songs with a kind of drone Sunn O))) influenced slow metal mood, which made it one of the most fascinating music of the year. And great music to drive to!

 Cover (Nine Types of Light:TV on the Radio) TV On The RadioNine Types Of Light” One of our regular bands of the end-of-the year list, TV On The Radio went from NY to California to record their new LP and one can really feel a more relaxed mood. Are we as surprised by this record as we used to be when we discovered this band? No, for sure. Are they still leading the pack in terms of excellence, creativity and emotion? Yes! If you have never heard about this band, this is a very good way to enter their world. And I give you not one but two concert reviews for 2011 you lucky readers!

Cover (Smoke Ring For My Halo:Kurt Vile) Kurt VileSmoke Ring For My Halo” Or how to be inventive and sound as completely new with a familiar basis (talk Beck or Sonic Youth but on a more laid-back mood). Kurt Vile went one step ahead this year and his album is an ongoing pleasure for whoever wants cool but demanding music. Please check the video I took in Austin to get a better idea of what I am talking about.

Cover (The Whole Love:Wilco) WilcoThe Whole Love” Having a new Wilco record is a bit like what getting a new Pavement record used to be 15 years ago : excitement, pleasure and with the same sound overall but always with a few changes in their sound or song structures. “The Whole Love” could be described as a kind of summary of all they do well, that is to say pure American rock with weird sounds interfering once in a while the whole project. They also regularly are in our best-of but that is very much deserved as Jeff Tweedy and his guys are one of the most interesting and fascinating bands of our times.

Cover (Smother:Wild Beasts) Wild BeastsSmother” This band came on top with their second album “Two Dancers” in 2009 and their latest LP is really as good as the last one, going further in the typical English vein of great voices but with groovier tracks. And they were also at Austin City Limits!

Cover (Gentle Spirit:Jonathan Wilson) Jonathan WilsonGentle Spirit” Not a newcomer in the music business as this guy owns a studio in Los Angeles and produced many records for all the US bands we cherish but this is his “real” first LP. A fantastic album with songs that own as much to Neil Young as to American great vocalists bands, this is a record either to listen to near the fire or on the beach in the summer.

Very close to this list : Arctic MonkeysSuck It And See” / James Blake S/T”/ CascadeurThe Human Octopuss” / ColdplayMylo Xyloto” / Cymbals Eat GuitarsLenses Alien” / Death Cab For CutieCodes And Keys”/ The DecemberistsThe King Is Dead” / Dutch UnclesCadenza” / Foo FightersWasting Light” / Eleanor FriedbergerLast Summer” / Noel Gallagher’s High Flying BirdsS/T”/ Arthur HBaba Love” / Joan As Police WomanThe Deep Field” / JusticeAudio, Video, Disco” / J. MascisSeveral Shades of Why” / Red Hot Chili PeppersI’m With You”/ Suuns Zeroes QC”/ Vivian GirlsShare The Joy” / Tom WaitsBad As Me” / Wild FlagS/T”… and many, many, many records not in this list!

Other top 3’s  (PJ Harvey quite loved in the UK and Bon Iver in the US…):

-> New Musical Express (UK weekly mag.): 1. PJ Harvey “Let England Shake” 2. Metronomy “The English Riviera” 3. The Horrors :”Skying

-> Uncut (UK monthly mag.): 1. PJ Harvey “Let England Shake” 2. Gillian Welch “The Harrow And The Harvest” 3. Metronomy “The English Riviera

-> Mojo (UK monthly mag.): 1. PJ Harvey “Let England Shake” 2. The Horrors “Skying” 3. Fleet Foxes “Helplessness Blues

-> Paste (US web mag.): 1. Bon Iver “bon iver, bon iver” 2. Fleet Foxes “Helplessness Blues” 3. My Morning Jacket “Circuital

-> Pitchfork  (US website): 1. Bon Iver “bon iver, bon iver” 2. Destroyer “Kaputt” 3. M83 “Hurry Up, We’re Dreaming

-> Les Inrockuptibles (French weekly mag.): 1. The Black Keys “El Camino” 2. Metronomy “The English Riviera” 3. Wu Lyf “Go Tell Fire Mountain” Their “best of 2011 Hors-Série” is particularly recommended as excellent and coming with a CD of their prefered tracks of the year.

-> Magic rpm (French monthly mag.): 1. Girls “Father, Son, Holy Ghost” 2. Destroyer “Kaputt” 3. Baxter Dury “Happy Soup

-> New Noise (French bimester mag.): 1. The Skull Defekts “Peer Amid” 2. Battles “Gloss Drop ” 3. Cheveu “1000″

-> Sound Opinions (US music podcast) Greg Kot’s 1. Wild Flag “Wild Flag” 2. The Roots “Undun” 3. tUnE-yArDs “WHOKILL” Jim DeRogatis’ 1. Le Butcherettes “Sin Sin Sin” 2. Wild Flag “Wild Flag” 3. Das Racist “Relax”

-> Robert Haymoncollins (Bristol, UK,blog): This is a Top 10 with no particular order but we have three records in common

-> Fargo (Paris records store): 1. Kurt Vile “Smoke Ring For My Halo” 2. Bill Callahan “Apocalypse” 3. Ryan Adams “Ashes & Fire

-> Ground Zero (Paris records store): Top 10 – no order – 2 records in common

-> Other Music (NY records store): 1. Kurt Vile “Smoke Ring For My Halo” 2. Zomby “Dedication” 3. Andt Stott “Passed Me By / We Stay Together

Box Sets and Reissues

Always mixed feelings here as do we music fans have to enjoy beautifully remastered editions of great albums from the past with extra tracks, books and photos and do we have to be cynical, knowing that the records industry count on us to buy these overly priced sets? I think the right way as a consumer is to keep balance between what is really new and worthwhile vs. what is purely a repackaged stuff. Not always easy I must say… 2011 was clearly the reissue year : R.EM., Nirvana, The Jesus and May Chain, Paul Mc Cartney, The Smiths, Can, Smashing Pumpkins, Primal Scream, The Rolling Stones, This Mortal Coil, The Who, Serge Gainsbourg, Mikey Newbury, etc…

  Best Box SetThe Beach BoysThe Smile Sessions” To make it short, here is the story of this music : in 1966, Brian Wilson (leader of the Beach Boys) following the success of their LP “Pet Sounds” and wanting to compete with The Beatles’s “Revolver” began work on his “Smile” project. Drugs, mental issues and heavy pressure he put on himself made him abandon the project later in the year and he would never be the same again. A few tracks appear little by little on official albums or bootlegs but the real discovery was to see Brian Wilson back in shape in 2004 playing “Smile” live and recording what could/should have been. Now seven years after, we are given the full package in this box-set for completists (5 CD’s and 2 LP’s) with the full sessions done by the band at the time. This is something that us music fans never thought we would be able to hear but this is true now. If your budget is limited and you do not want to hear 27 sessions of “Heroes and Villains” (which I can understand!), there is a shorter great 2-CD version. BUY IT!

  Best ReissueMarvin GayeWhat’s Going On” Your host will soon be writing a best of the year 1971 as this truly was one of the best years ever for music. Voted best album ever by New Musical Express in 1985, this is the record where Marvin Gaye emancipated himself from the Tamla Motown owner (and brother-in-law) Berry Gordy, wanting to stop singing silly love songs but giving his vision of the world. Best soul music ever for me on this record and the themes in it make it so 2011 : environmental issues, war in foreign countries, corruption and tax, etc… This reissue has one LP with the original mix and 2 CD’s with a remastered version and bonus tracks. Whatever the edition you chose, no one can live without this music at home!

So great year one more as all years for the music lovers since.. forever. A special goodbye to R.EM. who disbanded with dignity this year and whom we will never thank enough to introduce us to American bands  and to the White Stripes. A special thought to the big man Clarence Clemmons who disappeared much too early (“Jungleland” sax solo forever!). Stay tuned to Virgins and Philistines blog and see you soon!

Bill Callahan, Gaité Lyrique, Paris, 26th November 2011

This was Bill Callahan’s last show of the tour in his current band-of-three frame (with the great Mike Kensey on guitar and Neil Morgan on drums) and frankly why bother posting another review only six months after I last saw him in Paris? Well, just because this venue I did not know put him in a particular good mood, because the show went on for almost two hours and because he eventually played “River Guard” as a last song of the show, rewarding my friend Florian for many years of hopes and dedication!

Nothing much more to say except thank you Bill for visiting us so often.

Bill Callahan, Café de la Danse, Paris, 20th May 2011

Another sold out show in Paris from Bill Callahan. Funny how we are living in parallel worlds as I am not sure people from my entourage would be aware of that name whereas others would not miss him for any reason, in case he would finally sing one of their favourite songs…

Excellent show anyway in a nice drums/electric guitar/acoustic guitar and voice formula, different from last time I saw him in Rock en Seine 2009. Bill Callahan has been making beautiful moving records since the 90’s first under the “Smog” label and under his own name since 2007. All albums are greatly recommended and are regularly in our “best of the year” lists. As seen in pictures show below, he was dressed as a proper showman (a suit!) in front of a great international audience going from Canada to Australia (Warren Ellis, fantastic violin and guitar player in Dirty Three/Nick Cave and the Bad Seeds/Grinderman/Josh T. Pearson/etc… was in the audience).

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The set list was largely based on Bill’s latest LP “Apocalypse” that went out two months ago and is more than highly recommended. Based on seven long songs, one can find back once more the feeling of having known these songs for a very long time after two listening. This is really the mark of great artists, as is Bill Callahan’s habits in building a piece of art out of very simple raw material (an acoustic guitar mainly…). Here are two great songs I videotaped: “Two Many Birds” from “Sometimes I Wish We Were an Eagle” and “America” from “Apocalypse”:

Best of 2009

No ifs, no buts, facts only. Voici comme chaque année un best of forcément très subjectif des 15 albums à avoir pour épater vos amis.

Album de l’année 2009 :

 

 

Cover (Truelove's Gutter:Richard Hawley) 

Richard Hawley : Truelove’s Gutter

La récompense d’un artiste toujours présent et dont la production est toujours sans reproche. Mais qui est donc ce Richard Hawley : 1) un ancien membre des Long Pigs et de Pulp ? 2) une sorte de parrain musical des Arctic Monkeys, Sheffield oblige ? 3) un artiste très connu au UK ? Eh bien, tout cela à la fois. On aura surtout aimé la volonté de ralentir les choses que l’on retrouve dans cet album et la prise de risque que cela implique de nos jours. Rajoutons à ceci des mélodies à tomber ainsi que l’utilisation d’instruments pas vraiment rock’n’roll (scie, harmonica de verre, etc…). Le croisement idéal entre Chris Isaak et Pulp. Album of the Year!

 

Les 14 autres (par ordre alphabétique) :

Benjamin Biolay : La Superbe


On aimerait écrire trois pages sur Benjamin Biolay, sur ses débuts de musicien classique, sur ses premières productions bien propres pour les autres (Henri Salvador notamment), sur ses premiers albums bien pop et yéyé comme il faut, sur ses premières déchirures, sur ses derniers albums qui commencent à sentir le cassé, le moins propre, sur sa non-voix si bouleversante qui nous rappelle quelqu’un et enfin sur ce merveilleux double album où pas un des 22 morceaux ne montre un signe de faiblesse mais on ne fera que trois lignes. Des arrangements somptueux, de la pop, des morceaux bouleversants et surtout ce sentiment “happy/sad” qui fait les meilleurs albums. C’est une sorte d’album de l’année bis ; buy it!
 
Bill Callahan : Sometimes I Wish We Were An Eagle
 
Bill ne se cache plus désormais sous son ancien nom de “Smog” mais la qualité reste identique voire encore meilleure sur cet album où les mélodies et les arrangements n’ont jamais été aussi entêtants. Dans le style chanteur à spleen, Bill Callahan a toujours su broder des chansons à siffler sous la douche. Ceux qui aimeront cet album pourront rentrer dans un mode rétroactif (mais oui) et se plonger dans l’œuvre de cet artiste auteur d’une quinzaine d’albums.

 

Fever Ray : Fever Ray
 
Le 1er album solo de Karin Dreijer, habituelle moitié du groupe suédois The Knife. On y retrouve les ambiances intrigantes de ces derniers avec un je ne sais quoi de différent. Karin Dreijer a dit avoir composé cet album après son premier accouchement, la nuit notamment, dans ces moments d’éveil/sommeil durant lesquels son inspiration a fait des merveilles. Cette musique est à la fois flippante et pleine de magie ; pour ceux qui voudraient retrouver la fraîcheur des premiers Björk.
 
Grizzly Bear : Veckatimest
 
On retrouve chez Grizzly Bear un phénomène de succès spontané particulièrement rafraichissant pour ce jeune groupe qui n’a pas fait de concession particulière avec cet album. Un groupe US comme on les aime, curieux, éduqué, moderne tout en restant old school sur son ouvrage. Certains auront sans doute d’ailleurs fredonné la ritournelle “Two weeks” après avoir vu une publicité pour ouatures mais il est surtout recommandé d’aller un peu sur internet pour voir les très beaux clips de Grizzly Bear.
The Horrors : Primary Colours
The Horrors est un jeune groupe anglais au look hallucinant : des grandes asperges, avec des fringues serrés, des coiffures gothiques, enfin un rêve de groupe de rock, mélange entre les Cramps ou The Cure 1ère période. On est dans le gothique pur et dur … et on adore ça ! On était passé à côté de leur 1er album et on n’attendait rien de ce groupe. C’était sans compter sur la détermination de ces derniers qui sont allés chercher Geoff Barrow de Portishead pour la production, ce qui donne un son fabuleusement noir et pop à la fois.
Kings Of Convenience : Declaration of Dependence
Nos deux norvégiens préférés n’avaient plus rien sortis ensemble depuis 2004 et on pensait que ce groupe n’existait plus et resterait à vie un de nos trésors cachés favoris. Erreur ! Nos deux compères à guitares acoustiques se sont retrouvés comme au bon vieux temps pour nous pondre un album si berçant et plein de bonheur qu’on se croirait à Bergen do Brasil. A signaler également le projet plus dance d’Erlend

 

 Oye (The Whitest Boy Alive) tout aussi excellent.

 

Cass Mc Combs : Catacombs
L’auteur de ces lignes aime la pop et le rock qui bastonne mais avoue également un faible pour toute cette génération de chanteurs US dont on se sent proche aussi bien pour les références musicales que pour la recherche mélodique ou encore pour les textes accrocheurs. Excellent sunday morning record comme disent les Anglo-saxons.
Phoenix : Wolfgang Amadeus Phoenix
L’année de la consécration pour nos favoris de toujours aussi bien en France (nul n’est prophète…) qu’aux US (passage chez David Letterman). Pourtant, on n’a pas accroché d’entrée, peut-être repoussé par ce nom d’album ridicule. Et puis, petit à petit, les mélodies ont commencé à s’installer, avec leurs vies à elles et il a bien fallu reconnaître que c’est un des meilleurs albums de nos petits Frenchies.
Sonic Youth : The Eternal
Le passage sur le label Matador a fait le plus grand bien à ce groupe de NY toujours aussi pertinent après plus de 25 ans de carr..euh de bruit. Mais ils n’ont jamais été meilleurs que lorsqu’ils font du rock mélodique et punchy comme sur cet album et délaissent un peu leurs tendances avant gardistes. A signaler d’une part l’intégration de l’ancien bassiste de Pavement mais aussi un concert surréaliste au Palais des Congrès avec des hôtesses/placeuses en tailleur bleu avant qu’une 1ère partie vienne déchirer les tympans du public et que Sonic Youth arrive pour mettre le feu sur scène tandis qu’en avant-salle, les écrans annonçaient fièrement le concert à venir de … Serge Lama !
Soulsavers : Broken
 
Soulsavers est le projet de moins en moins électronique de deux anglais aux noms pour le moins amusants (Rich Machin et Ian Glover) mais qui ont su s’entourer de voix magnifiques sur cet album et en particulier de celle de Mark Lanegan qui monopolise ce disque par sa présence. Mark Lanegan est l’ancien chanteur des Screaming Trees, groupe ami de Nirvana, et participe depuis à beaucoup de projets, dont les fabuleux Queens of the Stone Age. Une voix éraillée qui donne des frissons au service d’ambiances à la Ennio Morricone.
Super Furry Animals : Dark Days/Light Years
9ème album pour ce groupe qui ne rassemble pas des animaux poilus mais des Gallois chevelus pour lesquels le mot tabou n’existe pas. Sur cet album, ils nous concoctent des ambiances à la limite du psychédélisme avec toujours cette personnalité qui les rend différent du reste (l’air vivifiant de Cardiff sans doute…).
Them Crooked Vultures : Them Crooked Vultures
… plus connus sous leur nom secret de “Petits Pois” lors du dernier festival Rock en Seine. Un rêve de fan : Dave Grohl (Nirvana, Foo Fighters) à la batterie, Josh Homme (Queens of the Stone Age) à la guitare et au chant et John Paul Jones (Led Zeppelin) à la basse. Parfois ces super groupes peuvent être décevants mais ce n’est pas du tout le cas ici car ça ressemble à une sorte de techno world avec des influences de trip hop et aussi… Allez stop, oui ça sonne exactement comme du Queens of the Stone Age avec le batteur de Nirvana et le bassiste de Led Zeppelin et donc c’est dément !
Wild Beasts : Two Dancers
Encore un groupe anglais dont le 1er album avait un peu laissé froid (du rock indie chanté en falsetto) et dont on n’attendait rien pour la suite. Et voici un 2ème contre-exemple ! Une musique ample et cool au service d’une voix chaleureuse et mieux maitrisée. Si vous ne voulez acheter qu’un album et êtes resté un fan pur et dur des Smiths, this is the one.
The xx : The xx
Encore un nouveau groupe d’anglais très très jeunes. Des filles et des garçons amis d’école qui ont fait un album chez eux sur des vieux synthés et cela donne quelque chose de miraculeux. Un croisement entre les Young Marble Giants et de la R’n’B. Difficile à croire mais pourtant vrai. A découvrir d’urgence pour ceux ou celles qui n’ont pas eux encore la chance de les entendre.
Tout près de cette liste (pêle mêle) :
  • Animal Collective, Eagles of Death Metal (rock’n’roll!), Franz Ferdinand, U2 (oui, oui), Fredo Viola (des voix superbes), Wilco, Jarvis Cocker (album musclé de l’ex chanteur de Pulp), Eels, DM Stith, Akron/Family, The Dead Weather (Jack White des White Stripes + Alison Mosshart des Kills), Magnolia Electric Co, Oneida (un triple album de fous furieux), Arctic Monkeys, White Denim, Yo La Tengo, Liam Hayes and Plush (notre n°1 de 2008), Air, Charlotte Gainsbourg (album écrit et joué par Beck), Julian Casablancas (escapade solo du chanteur des Strokes), Fuck Buttons, Girls.
  • R.I.P. Vic Chesnutt (1964-2009)
 
 
Meilleur DVD

Lou Reed : Berlin

Un des plus grands albums de Lou Reed et donc par conséquent de tous les temps sortis en 1973 autour de l’histoire des déambulations du narrateur et de la mère de ses enfants, junkie en détresse. Lou Reed a décidé de rejouer en intégralité cet album et c’est Julian Schnabel qui est à la réalisation. Un moment exceptionnel avec notamment la présence d’Antony dans les chœurs.
Meilleur Single
The Low Anthem : Charlie Darwin

Un morceau intemporel qui semble toujours avoir existé et qu’on croirait être un croisement entre un vieux gospel venant des montagnes américaines et un air d’un film de David Lynch.

Meilleur Coffret
Big Star : Keep an Eye on the Sky
Le groupe légendaire d’Alex Chilton fait l’objet d’un magnifique coffret de 4-CD. Ou comment ce groupe maudit de Memphis ayant fait seulement 2 albums de son vivant + un album posthume arrivait à faire mélanger des sonorités américaines du Sud du pays avec des mélodies que n’auraient pas reniées The Beatles.
Meilleure Compilation
Various : Dark was the Night
 
Une compilation de 31 morceaux du label 4AD au profit de l’association Red Hot qui récolte des fonds dans la lutte contre le Sida. Les bonnes causes ne sont pas synonymes de qualité artistique la plupart du temps mais ici, c’est tout l’inverse dans la mesure où on retrouve toute la brillante actuelle scène US dans ce disque : Bon Iver, Grizzly Bear, The National, Antony, Spoon, Arcade Fire, Andrew Bird,Yo La Tengo, etc… Avec en prime un inédit exceptionnel de Sufjan Stevens.
Reissue(s) of the Year
The Beatles : everything !
 
Certes, battage médiatique ; certes, cela valait-il le coup ; certes, il y a un peu de business… Mais on reste naïf et enthousiaste devant le travail de remastering qui a été fait sur tous les albums des Fab Four. Cela permet en plus de remettre les pendules à l’heure et de réaliser que malgré tous les listes de best of ou autres nouveautés musicales, ce sont toujours ces disques qu’on prendra sur une île déserte. Ajoutons à cela la vision du merveilleux spectacle “Love” du Cirque du Soleil ainsi qu’une tournée de Paul Mc Cartney à couper le souffle et le choix s’impose de lui même.
D’autres TOP 10
– NME (UK) :
1. The Horrors – Primary Colours
2. The XX – The XX
3. Yeah Yeah Yeahs – It’s Blitz!
4. Wild Beasts – Two Dancers
5. Animal Collective – Merriweather Post Pavilion
6. Grizzly Bear – Veckatimest
7. The Big Pink – A Brief History Of Love
8. Fuck Buttons – Tarot Sport
9. Fever Ray – Fever Ray
10. Jamie T – Kings & Queens
 
– Paste Magazine (USA) :
1. The Avett Brothers – I And Love And You
2. Animal Collective – Merriweather Post Paviliont
3. Elvis Perkins in Dearland – Elvis Perkins In Dearland
4. The Low Anthem – Oh My God, Charlie Darwin
5. David Bazan – Curse Your Branches
6. Brandi Carlile – Give Up The Ghost
7. The Decemberists – Hazards of Love
8. Phoenix – Wolfgang Amadeus Phoenix
9. Neko Case – Middle Cyclone
10. Frank Turner – Poetry of the Deed
– Les Inrocks (French) :
1. The XX : The XX
2. Fredo Viola : The Turn
3. Charlotte Gainsbourg : IRM
4. Animal Collective : Merriweather Post Pavilion
5. Phoenix : Wolfgang Amadeus Phoenix
6. Julian Casablancas : Phrazes for the Young
7. Gossip : Music for Men
8. Peter Doherty : Grace/Wastelands
9. Jay-Z : The Blueprint 3
10. Passion Pit : Manners
– Mojo (UK) :
1. Animal Collective – Merriweather Post Pavilion
2. Bill Callahan – Sometimes I Wish We Were An Eagle
3. Richard Hawley – Truelove’s Gutter
4. The Horrors – Primary Colours
5. Tinariwen – Imidiwan: Companions
6. Bob Dylan – Together Through Life
7. Florence And The Machine – Lungs
8. Fuck Buttons – Tarot Sport
9. Madness – The Liberty Of Norton Folgate
10. Yeah Yeah Yeahs – It’s Blitz
– Pitchfork (excellent US Web Site) :
01 Animal Collective – Merriweather Post Pavilion
02 Dirty Projectors – Bitte Orca
03 The xx : The xx
04 The Flaming Lips : Embryonic
05 Raekwon : Only Built for Cubal Linx… Pt. II
06 Grizzly Bear : Veckatimest
07 Bat for Lashes : Two Suns
08 Phoenix : Wolfgang Amadeus Phoenix
09 Fever Ray : Fever Ray
10 Girls : Album
 

– Other Music (NY Store) :
01 Dirty Projectors : Bitte Orca
02 Animal Collective : Merriweather Post Pavilion
03 Dam-Funk : Toeachizown
04 Cold Cave : Love Comes Close
05 Broadcast & the Focus Group : Investigate Witch Cults of the Radio Age
06 The xx : The xx
07 Fever Ray : Fever Ray
08 King Midas Sound : Waiting for You
09 Phoenix : Wolfgang Amadeus Phoenix

10 Girls : Album


– Rough Trade (London Store) :

10 albums sans ordre : The xx : The xx / The Low Anthem : Oh My God, Charlie Darwin / The Horrors : Primary Colours / Fever Ray : Fever Ray / The Pains of Being Pure at Heart : The Pains of Being Pure at Heart / Grizzly Bear : Veckatimest / The Leisure Society : The Sleeper and the Product of the Ego Drain / Fuck Buttons : Tarot Sport / Forest Fire : Survival / The Very Best : Warm Heart of Africa

– Ground Zero (Paris Store) :

 

10 albums sans ordre : Animal Collective : Merriweather Post Pavilion / Grizzly Bear : Veckatimest / Cass Mc Combs : Catacombs / DM Stith : Heavy Ghost / The Pains of Being Pure at Heart : The Pains of Being Pure at Heart / Yeti Lane : Yeti Lane / The Whitest Boy Alive : Rules / The xx : The xx / The Phantom Band : Checkmate Savage / Here We go Magic : Here We go Magic


Bonne année à tous et bonne écoute !
Stéphane