Best albums of 2017 – Top 25.

Another year goes by and the more it goes, the less it seems to make sense … but not more or less than in the previous 3,000 years I guess. On these philosophical words, let’s focus on what this blog’s editor knows best, i.e. build nice end of the year lists!

Thanks to the nice suggestion of a friend, I started at the beginning of 2017 reviews of the best albums of the month. Quite a nice story and overall it meant that I listened to even more music thanks the intensive use of the streaming service I am subscribed to but also to regular visits to my local favourite stores, Rough Trade in particular. I tried to listen to all styles of music (folk, jazz, metal, pop, world, indie, soul, hip-hop,…) and hopefully without any prejudice. I can therefore proudly claim and make official that indeed big sellers such as Katie Perry, Taylor Swift, Ed Sheeran, Miley Cyrus or again Sam Smith have all released completely boring, uninteresting or sometimes atrocious records. Not a question of snobbishness but these records are produced without any invention, emotion or soul. The below list is of course subjective but as every year is a mix of newcomers, mature bands, artist I discovered on stage or people who had an impact in 2017. I could have easily select 100 albums I can come back to on a regular basis but that was not the point.

Top 25 this year and without further due, let’s start with our Album of the Year which is a masterpiece! For the sake of clarity, you can click this year on two links: the first one will take you to the monthly review when this album went out and the second one to a potential live review if any.

Pure Comedy

#1 Father John Misty – “Pure Comedy”. Out in: April 2017Live review What makes a record one’s album of the year. Beautiful music in the way Elton John could do in his peak in the 70’s with a touch of indie rock attitude? Angry and beautiful words against the state of the world ? Sensitive songs about the difficulty in being in love and making a relationship work ? Poetry ? Amazing presence on stage ? Probably all of this but to me what made it album of the year was the constant companionship and pure rough emotion I found in this album since it went out. Joshua Tillman is definitely increasing his game with every release. Stream it, buy it, read the words, catch him live; Father John Misty has made by far the RECORD OF THE YEAR!

Yesterday's Gone #2 Loyle Carner – “Yesterday’s Gone”. Out in: January 2017. This is the amazing debut album of the young London rapper Coyle Larner. His artist name is Loyle Carner as this is the way he used to pronounce his name when he was a kid due to dyslexia. He was also diagnosed as having behaviour trouble at that age but the young man found an escape in theatre and music. After the devastating death of his father in law, he went back to his music and released this very personal album full of great soul and jazz samples. Welcome to the club of great artists young man and keep on bringing a Man Utd Eric Cantona on stage.

DAMN. #3 Kendrick Lamar – “DAMN.” Out in: April 2017. Kendrick Lamar does not need this blog to be more famous or more critically appreciated as it looks the whole world loves him now.. and other artists too as he appeared this year on many other tracks (U2, Miguel or again N.E.R.D amongst many others). This is an extraordinary album again and the young man is definitely the current most talented artist. Every new album is an exciting event so let’s hope it will last for a few more extra years.

Aromanticism #4 Moses Sumney– “Aromanticism”. Out in: September 2017. Live review. Those who are familiar with this blog may remember the emotion and positive shock I had whilst catching this young American artist live at End of the Road festival. His debut album is as amazing as he is on stage. He has the voice of an angel servicing very personal, melodic and original-sounding songs. If Bjork was a Black American young man in his 20’s, she would probably sound like him. To discover without further due.

The Loved Ones #5 Flyte – “The Loved Ones”. Out in: August 2017. A real grower that one as it was not in my August 2017 selection. This record made me young again as I discovered them after catching the cover of the record in a billboard in London (as used to be the case in ancient times). This young band from London made what I consider a classic in terms of melody and freshness of the sounds while respecting the grand tradition of great bands from the past such as Prefab Sprout, The Bluebells, Aztec Camera or again The Dream Academy. If such influences do not make you want to discover it, English pop rock bands must not be your taste!

Hot Thoughts #6 Spoon  “Hot Thoughts”. Out in: March 2017. Live review. Another great LP by this truly exceptional band. The difficulty with bands like Spoon (or The National for instance) is that one is so used to quality with each release that one has to favour more glamorous things or new ones. Let’s not fall into this easy trap and celebrate one of the most inventive bands of our times. The more they go, the better they are it seems…

Moonshine Freeze #7 This Is The Kit- “Moonshine Freeze”. Out in: July 2017. Live review. This is the second time that Kate Sable’s band ends up in our best of the year ranking after 2015 excellent “Bashed Out”. Her music is also getting more mature and accomplished and her peers start to recognize such a talent. Folk music for those who do not like it.

Lotta Sea Lice #8 Courtney Barnett & Kurt Vile  “Lotta Sea Love”. Out in: October 2017. This is typically the kind of collaboration which should have been interesting at best as very often two great artists playing together do not produce something amazing. This is totally untrue here between the young Australian singer and her male American counterpart. They built a friendship while meeting on tour, experienced a few songs and then ended making a proper LP. Very refreshing Velvet Underground-sounding music and nice words relating the troubles for those travelling a lot for their work (I guess not only musicians could relate to this!).

All - Amerikkkan Bada$$ #9 Joey Bada$$  “All – Amerikkkan Bada$$”. Out in: April 2017. Firstly for those of you who follow with the same intensity as I did “Mr. Robot”, let me precise that this is indeed the same Joey who plays Leon in the series. Having said that, Joey Bada$$ is first and foremost a great MC. This is the third hip-hop album in this selection and although I have been listening to tens of them, nothing moves me more than rappers talking about the state of the world on great soul and jazz beats and samples. Am I really that old-school?

Sleep Well Beast #10 The National  “Sleep Well Beast”. Out in: September 2017. Live review. …and here they are in this selection as well. Not a surprise for regular readers of this blog as I guess they probably have been my favourite band of the current decade. Great album as usual but this time with a leap forward in terms of electronic sounds and songs structure. In other words, they keep on being more inventive while staying what they are. One of the greatest bands of our times.

Painted Ruins #11 Grizzly Bear  “Painted Ruins”. Out in: August 2017. Live reviewGrizzly Bear have once more delivered the goods and this album is probably that where you will find the most beautiful voices of them all. This band keeps on going forward in their own very singular way and every new listen brings extra discoveries and entertainment. A great album to enter their world and potentially go backwards to their previous LP’s.

A Deeper Understanding #12 The War On Drugs  “A Deeper Understanding”. Out in: August 2017. His 2014 album “Lost In A Dream” was a masterpiece although for some reason it did not end in my end of the year list at the time; not sure why… I write “his” as the band is really the brainchild of Adam Granduciel. This new opus is as good as the previous one and the way to describe it best is to associate it with the early 80’s Bruce Springsteen records (“Born In The USA” or “Tunnel Of Love”) with an indie attitude. Play it on and you will dance to it!

Songs of Experience #13 U2  “Songs Of Experience”. Out in: December 2017. A very recent release so once again quite difficult to judge as a record very often needs time to reveal if it is a good one, a classic…or a a fake! My gut feeling is that this is one of U2’s best and a few songs already sound like stadium classics. After the fantastic “Joshua Tree” tour this year, I am looking forward to catching them… backstage for their next tour!

I See You #14 The Xx  “I See You”. Out in: January 2017. This record is on the opposite side vs. the previous one in terms of date as it was released very early in January. I had already forgotten its beauty and I had to listen to it again to get it right. The song “On Hold” is particularly very moving for this blog’s writer ; the reason being probably the great use of a Hall & Oates sample…

American Dream #15 LCD Soundsystem  “American Dream”.  Out in: September 2017. Live review. So it was not really the end of LCD Soundsystem when its leader James Murphy decided to end it all in 2011 at the Madison Square Garden… Well, I guess we should be delighted then as their comeback record is as good as their previous ones, keeping the New York Grooooove Thang sound. One of the best dance machine ever is back!

Slowdive #16 Slowdive -“Slowdive”. Out in: May 2017. Live review. Excellent shoegazing band comeback #1.

Weather Diaries #17 Ride – “Weather Diaries”. Out in: June 2017. Live review. Excellent shoe gazing band comeback #2.

Mental Illness #18 Aimee Mann – “Mental Illness”. Out in: March 2017. Live review. One of the most beautiful and singular female voices.

Masseduction #19 St. Vincent – “Masseduction”. Out in: October 2017. Perfect and moving pop music from a young woman #1.

Melodrama #20 Lorde – “Melodrama”. Out in: June 2017. Perfect and moving pop music from a young woman #2.

Villains #21 Queens Of The Stone Age – “Villains”. Out in: August 2017. No Villains, only Heroes!    

Dark Days and Canapés #22 Ghostpoet – “Dark Days + Canapés”. Out in: August 2017. Former call center British employee ; all roads lead to Rome!      

Witness #23 Benjamin Booker – “Witness”. Out in: June 2017. Blues Soul Punk Rock young master.      

In Spades #24 The Afghan Whigs – “In Spades”. Out in: May 2017. Live review. Second excellent album since they reformed.

Drunk #25 Thundercat – “Drunk”. Out in: February 2017. Soul and hip hop bass player gets solo.

So it looks the power of Anglo-Saxon music is over if you read a few magazines…but my selection is made out of artists and bands from the UK, the USA, Australia, New Zealand and Ireland only. I guess this is what moves me the most. The more it goes, the more this selection is well balanced between men and women…although I must recognize that this is still dominated by male US rock.

Other voices’ (websites, magazines, records stores, etc…) Top 10.

You will find below a selection of other lists but there are so many of them that you may also want to go to the albumoftheyear.org website to get an aggregation of them all (© JG from Garidech). Kendrick Lamar being the definite winner it seems…

  • Mojo (music mag): 1. LCD Soundsystem American Dream 2. Nadia Reid Preservation 3. Queens Of The Stone Age Villains 4. A Tribe Called Quest We Got It From Here… Thank You 4 Your Service 5. Jane Weaver Modern Kosmology 6. St. Vincent Masseduction 7. Kendrick Lamar DAMN 8. Hurray For The Riff Raff The Navigator 9. Sleaford Mods English Tapas 10. Aldous Harding Party
  • Uncut (music mag): 1. LCD Soundsystem American Dream 2. The War On Drugs A Deeper Understanding 3. Kendrick Lamar DAMN 4. The Weather Station The Weather Station 5. Joan Shelley Joan Shelley 6. Richard Dawson Peasant 7. The National Sleep Well Beast 8. Courtney Barnett & Kurt Vile Lotta Sea Lice 9. St. Vincent Masseduction 10. Hurray For The Riff Raff The Navigator
  • NME (not as great as it used to be…): 1. Lorde Melodrama 2. Wolfe Alice Visions Of A Life 3. Kendrick Lamar DAMN. 4. Father John Misty Pure Comedy 5. LCD Soundsytem American Dream 6. J Hus Common Sense 7. SZA CTRL 8. Lana Del Rey Lust For Life 9. Wiley The Godfather 10. Liam Gallagher As You Were
  • Rough Trade (London, Nottingham, Bristol and Brooklyn stores): 1. Aldous Harding Post Party 2. Ryan Adams Prisoner 3. Bjork Utopia 4. Big Thief Capacity 5. Colter Wall Colter Wall 6. Cigarettes After Sex Cigarettes After Sex 7. The Big Moon Love In The 4th Dimension 8. Jane Weaver Modern Kosmology 9. Thundercat Drunk 10. Here Lies Man Here Lies Man
  • Fopp (UK stores): 1. LCD Soundsystem American Dream 2. The Xx I See You 3. Courtney Barnett & Kurt Vile Lotta Sea Lice 4. Father John Misty Pure Comedy 5. Richard Dawson Peasant 6. Fleet Foxes Crack-Up 7. Jason Isbell And The 400 Unit The Nashville Sound 8. Tinariwen Elwan 9. The National Sleep Well Beast 10. Grizzly Bear Painted Ruins
  • HMV (UK stores): 1. St. Vincent Masseduction 2. The War On Drugs A Deeper Understanding 3. The National Sleep Well Beast 4. Father John Misty Pure Comedy 5. Cigarettes After Sex Cigarettes After Sex 6. Alvvays Antisocialites 7. Aldous Harding Party 8. Jane Weaver Modern Kosmology 9. Slowdive Slowdive 10. The Horrors V
  • Greg Kot (Sound Opinions radio DJ #1): 1. Run The Jewels Run The Jewels 3 2. Ted Leo The Hanged Man 3. Kendrick Lamar DAMN. 4. Sir the Baptist Saint Or Sinner 5. Downtown Boys Cost Of Living 6. Protomartyr Relatives In Descent 7. Vic Mensa The Autobiography 8. Mavis Staples If All I Was Was Black 9. Moses Sumney Aromanticism 10. Priests Nothing Feels Natural
  • Jim Derogatis (Sound Opinions radio DJ #2): 1. The Regrettes Fell Your Feelings Fool! 2. Downtown Boys Cost Of Living 3. Kendrick Lamar DAMN. 4. Priests Nothing Feels Natural 5. Rips Rips 6. Aimee Mann Mental Illness 7. Vic Mensa The Autobiography 8. The Feelies In Between 9. Wire Silver/Lead 10. Courtney Barnett And Kurt Vile Lotta Sea Lice
  • Pitchfork (music website): 1. Kendrick Lamar DAMN. 2. SZA Ctrl 3. King Krule The OOZ 4. Kelela Take Me Apart 5. Lorde Melodrama 6. Moses Sumney Aromanticism 7. Vince Staples Big Fish Theory 8. Tyler, The Creator Flower Boy 9. Fever Ray Plunge 10. Jlin Black Origami
  • Paste (music website): 1. Jay Som Everybody Works 2. Kendrick Lamar DAMN. 3. Father John Misty Pure Comedy 4. Run The Jewels Run The Jewels 3 5. Courtney Barnett And Kurt Vile Lotta Sea Lice 6. Sheer Mag Need To Feel Your Love 7. Alvvays Antisocialites 8. LCD Soundsystem American Dream 9. Mount Eerie A Crow Looked At Me 10. Sampha Process
  • Les Inrocks (French mag): 1. Kendrick Lamar DAMN. 2. King Krule The OOZ 3. LCD Soundsystem American Dream 4. Migos Culture 5. Alex Cameron Forced Witness 6. Juliette Armanet Petite Amie 7. Mac DeMarco This Old Dog 8. Orelsan La Fête Est Finie 9. Damso Ipséité 10. Cigarettes After Sex Cigarettes After Sex
  • The Guardian (UK daily newspaper) : 1. St. Vincent Masseduction 2. Kendrick Lamar DAMN. 3. SZA Ctrl 4. Lorde Melodrama 5. Perfume Genius No Shape  6. LCD Soundsystem American Dream 7. The War On Drugs A Deeper Understanding 8. Thundercat Drunk 9. Kelela Take Me Apart 10. Richard Dawson Peasant
  • The Independent (UK website) : 1. Loyle Carner Yesterday’s Gone 2. Lorde Melodrama 3. Rapsody Laila’s Wisdom 4. Perfume Genius No Shape 5. SZA Ctrl 6. Ghostpoet Dark Days + Canapes 7. Kendrick Lamar DAMN. 8. Syd Fin 9. Jessie Ware Glasshouse 10. Trampolene Swansea To Hornsey
  • Magic rpm (French bimonthly magazine, back in 2017…but already over in 2018?) : 1. Grizzly Bear Painted Ruins 2. Aldous Harding Party 3. Midget! Ferme Tes Jolis Cieux 4. Slowdive Slowdive 5. Kadjha Bonet The Visitor 6. Charlotte Gainsbourg Rest 7. Flotation Toy Warning The Machine That Made Us 8. Kendrick Lamar DAMN. 9. Forever Pavot La Pantoufle 10. Big Thief Capacity
  • Noise Magazine (French bimonthly magazine) : 1. Quicksand Interiors 2. Blut Aus Nord Deus Salutis Meae 3. Jessica93 Guilty Species 4. Slowdive Slowdive 5. Dead Cross Dead Cross 6. Algiers The Underside Of Power 7. Oxbow Thin Black Duke 8. Crystal Fairy Crystal Fairy 9. Sleaford Mods English Tapas 10. At The Drive-In In.ter a.lia

June 2017 Album of the month: Ride “Weather Diaries”

A very busy month with a few okish records from favourites (Phoenix, Sufjan Stevens) a few real disappointments (Royal Blood, Fleet Foxes, London Grammar), an awful record (DJ Khaled)..and the worst record ever made (Katy Perry). However, good news is that the selection below is pretty awesome so enjoy!

 

Album of the month: Ride “Weather Diaries” – Shoegaze Rock – Amazing really to be in a position to write that Ride’s new album is our favourite of the month but this is for real! A great balance between what they used to be and what music is now, it sounds equally retro and modern. These guys give their best when they are together. Welcome back!

  • Runner-up: Lorde“Melodrama” – Pop – 2nd album from New Zealander Ella Marija Lani Yelich-O’Connor. After shaking the world with her debut released when she was 16 (!), she is back at the ripe age of 20 with an even better second LP. Great catchy melodies, weird arrangements, very original voice, moving lyrics,… everything pop should be (and Katy Perry will never be…)
  • Also recommended:
    • TOPS “Sugar At The Gate” – Canadian Power Pop
    • Cigarettes After Sex – “s/t” – Ethereal Pop (..and nice band name!)
    • Kevin Morby“City Music” – Cool folk rock
    • Flotation Toy Warning“The Machine That Made Us” – Complex Radiohead-influenced rock
    • Vince Staples “Big Fish Theory” – Hip Hop
  • Lest we forget: album of the previous month – The Afghan Whigs – “In Spades”

 

Ride with me once, Ride with me twice… Village Underground (12th June 2017) and Rough Trade East (19th June 2017)

P1150730

You think one of your favourite bands is lost forever and the only vague memory you have is an April 1990 gig in Paris when they opened for The House of Love and then suddenly you see them three times in a relatively short period of time. I guess this is the recent and nice story many other Ride fans recently enjoyed.

Their 2015 Field Day Festival was a great memory and I remember the emotion when hearing the first keyboard notes of “Leave Them All Behind“. However, the band did not really want to keep things as such and were eager to record a new record first to find back the excitement of creativity but also to be able to bring a bit of fresh air in their setlist.

So here I was, attending two Ride gigs in a row, the first one being held in the friendly and tiny atmosphere of the Village Underground in the London Shoreditch area. It started well with an excellent opening band called Novella made out of young women (and a male drummer!) singing nice melodies with a strong shoegaze influence.

Ride arrived then on stage and one could really feel the pleasure and excitement these guys have to be back doing music together. Their new record “Weather Diaries” was to be released a few days after this gig so there were new songs to digest for the audience…and I can tell you these new songs sounded excellent. I will not be doing any teasing for our June record of the month future review but I would be surprised not to find this record as part of it.

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As often the case with classic bands, their strength lies in the connection between the two leaders/singers/songwriters, i.e. Andy Bell and Mark Gardener. One of the reasons the band split in 1996 was that these two school friends were going into different musical directions. Although they both had interesting musical careers out of Ride, Andy being for instance a member of Oasis for many years, one has to admit that their best material comes from their common chemistry. The show tonight was beautiful and excellently balanced between new songs and old classics from their peak 1990-1996 period. I must say this is such a pleasure to have them back, like meeting old friends after a long period of time.

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A week later, the band were promoting their new LP at Rough Trade East with a short set and the traditional record signing. I was lucky to be there as well to see this great short set mainly focused on songs from the new LP. I queued to have my vinyl cover signed and had a nice chat with Andy Bell (about Iggy Pop’s Royal Albert Hall gig) and Mark Gardener (speaking in French!) regarding his involvement in the Nick Drake tribute band The Color Bars Experience. Thanks Rough Trade for these in-store events which are always great to attend.

 

 

 

Drake vs. Nick Drake: the fight!

Not really planned but the accidents of life made me attend two very different gigs in the last weeks. The first one was a tribute to Nick Drake (fragile folk/rock singer dead in the early 70’s) and the second one was a show held by the biggest music act today (click on the link and you will realise this is official), namely Canadian hip-hop/pop singer Drake. So who won the fight? Answers below!

  • First round: catalogue and discography

Only 3 studio albums for Nick Drake but I would really die to defend them to anyone. His music is a true gem, he is one of the best guitarists ever heard and his voice is magic.

Drake has made 5 albums if one counts his mixtape of 2016 and they all are…quite ok to listen to. The thing that I do not understand (and I listened to them all before the show) is that there is nothing particularly inventive or shocking or different. Everything is quite smooth and his DJ is the real talented guy as he sometimes has very interesting samples. But Drake is neither a very good rapper nor a good singer…

Drake: 5/10 vs. Nick Drake 9.5/10

  • Second round: popularity

Of course, this round is easily won by Drake as he is probably one of the most famous artists…sorry celebrities today and I guess no youngster below 30-years old has not heard about him. However, although he was virtually unknown when he died in 1974, Nick Drake has built through time a new reputation in the music lovers community. And many people have heard his music in this famous VW advertising clip (click here).

Drake : 9/10 vs. Nick Drake 5/10

  • Third round: authenticity

Here also, really no question… On one side, one guy whose only ambition in life is to be famous (and whining about it in his albums) and who indirectly sells clothes and beverages in his concerts. On the other side, a young depressed lad who literally died for his music and did not compromise with the music business for one second…

Drake: 2/10 vs. Nick Drake 10/10

  • Fourth round: the shows

The Color Bars Experience - Eric Pulido

Nick Drake’s tribute was an initiative coming from the Color Bars Experience and their French leader Yann Debiak. They did a first tribute a couple of years ago based on Elliott Smith’s songs interpreted by Jason Lytle (Grandaddy), Troy Von Balthazar (Chokebore) and Ken Stringfellow (The Posies). This time, the tribute was based on Nick Drake’s songs and they did a few dates in the UK and in Continental Europe.

The Color Bars Experience - Mark Gardener

This time, the classical band (no amplified instruments) was as usual made out of musicians coming from all around the world and the new singers were all great: Eric Pulido (Midlake), Brian Lopez (Giant Sand) and Mark Gardener from Ride to give a bit of English favour as he put it nicely. Very moving show either in terms of delicacy and craftsmanship coming from the musicians but also regarding the respect and joy felt through the singers’ voices and serenity.

Drake’s show was…weird. First I was really impressed by the audience as the 20,000 fans were standing up and singing… bit and pieces of non-music as if the guy was a real inspiration to them. Then, you have a drummer, a keyboard player and a DJ on stage but they remain in the shadow as if they did not exist. I have nothing against not seeing real instruments live (hello Sleaford Mods or many other hip-hop crews) but here it looks Drake is between a rock and a hard place and does not really know what to do.

Drake - O2 Arena - 2017

The stage also was supposed to be amazingly impressive…and it was not the case at all. I have still not made what this giant ball held up at the end of the show was standing for. Last but not least, I did not really enjoyed Drake’s performance as he merely sings or (badly) raps bit and pieces of his songs in the middle of slogans or megalomaniac appreciation messages to the crowd. The only interesting moments were when he twice invited young British rappers as they put a bit of energy in the show.

Drake: 4/10 vs. Nick Drake 8.5/10

  • The Verdict: Drake 20/40 vs. Nick Drake 33/40

Easy unexpected win for Nick Drake. Talent-and-beauty-bigger-than-money-and-fame shock! Do not lose your time with Drake really… You may hear and enjoy him in a few songs of his or other singers’ once in a while but there are literally hundreds of bands or solo artists to discover…

and the first in line should be Nick Drake. Listen to his records and I can tell you his music will be with you forever.

Festival Field Day, 6th & 7th June 2015, London Victoria Park

Back to festival time for the blog after close to 2 years of drought as the last one I went to was the excellent Paris Pitchfork Festival in November ’13. So with a big smile on my face and with the pleasure in having a sunny weather throughout the two days, here is my review of this event.

Field Day 2015, Ride

I had taken my 2-day pass ages ago as I did not succeed in being fast enough to get tickets to see Ride at the Roundhouse late May so going to this festival was an excellent opportunity to kill two birds with one stone. Held in the beautiful Victoria Park in the North-Eastern side of London, it is almost the first one of the outdoor British festivals of the year. I was particularly impressed by the way the logistics were taken care of and by the fact the Festival was offering a few big names whilst keeping a decent size. 16 bands reviewed and scrutinised below ; I must admit that to me the second day was by far better than the first sold-out one. Pity for the prestigious guests I had convinced to put on their red shoes and dance the blues with me..

  • Poor : 1 Star

I lately realised that the different posts on this blog might appear slightly boring as always describing good to great concerts and/or books, records, etc… I must say that by getting older every day, one wants probably to keep their energy in writing positive things… On top of it, years of listening and spending well-earned money probably made me aware about which gigs I want to go to. This is why a Festival is always welcome for me as this is a very good opportunity to write about bad bands or bands good on records but less so on stage.

Field Day 2015, tUnE-yArDs

This is for instance the case with Caribou who were the headliners on Saturday evening. Their music and record have been a must in the recent years for those interested in intelligent and melodic dance music but I must say I have been waiting for the show to really start and give a bit of emotion or groove… Almost same deception for me regarding tUnE-yArDs. Exclusively the brainchild of Merrill Garbus, this is an almost-female fronted band whose ambition is apparently now only to mix high-pitched indie rock with tribal drums plaid in an African style. At the end of the day, nothing is particularly bad here but you keep hoping the concert will end soon as nothing really happens. A real pity as she was a real new original voice and presence when the band started but it looks from another age now.

Field Day 2015, Kindness

Kindness was the third major deception of Day One as although Adam Bainbridge’s will to mix uptempo melodies with Prince gimmicks and soul chorists looks like a great idea, you actually feel like watching an average band covering funky standards. I thought I would have interesting things to say about new UK band Gulf…but no really apart that it sounded to me like (another) soon to be forgotten UK band.

  • OK : 2 Stars

OK in the meaning that I did not spend a bad moment per se and that I even enjoyed part of the show…but, well, you know, ok means ok…

Field Day 2015, Philip Selway

Philip Selway is the drummer of one of our most cherished band (Radiohead) and that was funny seeing this great musician playing his delicate songs in front of around 300/400 people under one of the tent stages whereas the guy is used to play arenas in front of worshipping fans. Nice to see such a humble man singing and presenting his songs …and he has a nice voice by the way. But shall I be severely spanked to say that it was on the edge of being boring ? Too late I am afraid… Another good band watched on the same stage was the Allah-Las from Los Angeles. Their music is a mix of garage rock with nice 60’s West Coast influence melodies and they sometimes are on the verge of greatness. My only feeling is that their sound is so retro that this is a bit embarrassing sometimes.

Field Day 2015, Allah-Las

Third ok concert for me was that played by hype Scottish band Django Django. Their new second LP “Born Under Saturn” is really good but is it for the real reasons? What I try to say is that they are very clever guys much interested in new sounds and textures. They have everything to succeed as their good sense of melodies have already made them popular while at the same time pleasing the indie rock aficionados…but something is missing here. Not sure what this is (soul ? authenticity ?) but I pretended a bit to have a good time whereas in reality I was a bit indifferent to their songs.

Field Day 2015, Django Django

  • Good : 3 Stars

Either unexpected good surprises or confirmation of what I thought, these are bands I would be really happy to see again if opportunity were to knock again.

Field Day 2015, Ex Hex

The first band you see on Day One is always something special in a festival ; it will not necessarily give you the tempo about what is to come but it might give you a flavour of the mood, the audience, etc… Yossarian is a new band from the UK and their set was impressive in terms of energy and good songs (influences I spotted went from Pink Floyd to early Radiohead). Their first album was offered as a free download for those attending the set so nice initiative too! Another very good act on Saturday was the Norwegian Todd Terje. Although I did not have the best spot to see his very nice lounge/dance music, the tracks he played (mainly from his latest LP “It’s Album Time“) were as good live as they were on record, thanks in particular to an excellent drummer on stage. Perfect music to warm up on a declining sunny day!

Field Day 2015, DIIV

The next three acts were as good as I had expected them to be. I started my Day Two with the female trio Ex Hex. Held by singer/guitarist Mary Timony,  a woman who has been around for many years in excellent different bands, their music is a mix of grungy sounds with nice choirs. A kind of modern female Ramones and this is a real compliment! DIIV on their sides were presenting on the main stage extracts from their soon to come second LP and it sounded very promising. Although Zachary Cole Smith looks like a guy getting out of bed in terms of attitude…and clothes, he was actually very much there and focused. I must say the band made me a much better impression than the last time I had seen them at the Pitchfork Festival in Paris and I cannot wait to hear the new LP. Last but not least, I managed to watch the second part of Mac DeMarco‘s set and the guy was the way we like him. Dr. Jekyll on one side mainly on the way his songs are really moving and beautiful (his latest LP was part of our 2014 Top 20) and Mr. Hyde on the other one jamming sometimes stupidly with this bare-chested viking guitarist or crowd-surfing.

Field Day 2015, Mac DeMarco

  • Great : 4 Stars

Field Day 2015, Owen Pallett

My only real emotion of Day One was for Owen Pallett and his violin. This Canadian from Toronto used to be known in the business through his multiple activities and in particular as the one arranging strings for his friends Arcade Fire. On top of these many extra-curricular activities, he is now a solo artist on his own and his latest 2014 “In Conflict” LP is particularly recommended. What he does with his violin is really amazing but the skill he has with this instrument is always at the service of the songs and melodies.

Field Day 2015, My Brightest Diamond

Day Two was particularly heavy in emotions, starting with the great Shara Worden who plays under the guise of My Brightest Diamond. She is a super talented musician but I was not sure about how her intimate songs would get on stage. Exam more than succeeded as far as I am concerned first because her rhythm bass and drums section were astonishing but as well because of her personality. Here is a woman who can be funny, make you dance, give you the creeps,… and all this in a 40-minute set. Discover her if not done yet.

Field Day 2015, Patti Smith

Patti Smith playing the seminal “Horses” under a beautiful day with on her side Lenny Kaye on guitar ; can life be any better? Well, probably not, due to the fact that she was on top form at 68 years old and keeping the same balance of stamina and poetry as she has been famous for all her life. Nothing much to say apart from the fact the great lady is amongst our Top 100 of all times and that “Horses” is an album I have literally been listening to hundreds of times with always the same enthusiasm. The rest of the set was amazing as well and the band finished with their traditional cover of “My Generation” by The Who. Catch her if you can as she will have a few extra-dates comes Autumn.

Field Day 2015, Andy Bell & Mark Gardener

Last but not least, I ended up this 2-day marathon with the amazing Ride from Oxford, UK. This band is part too of our favourite ones and the least I could say is that a year ago I would not have believed such a tour possible. What made the reunion of the original four-member band possible was the good idea Liam Gallagher had last year of disbanding the post-Oasis mediocre Beady Eye, thus leading for an event all rock fans were waiting for almost twenty years. I had only caught them once in April 1990 as the opening act of The House of Love (remember them?) and that show was still a very strong memory. Faith and belief are two key words in rock’n’roll and Ride played at Field Day Festival as if their story had just begun. They opened their fantastic set with “Leave Them All Behind” and kept the pace as such throughout the whole gig. Not sure what will happen next (is this reunion for long ? any plan in trying to record new songs ?) but tonight there was magic in the air so thank you gents.

Field Day, see you next year!

 

TOP 100 Artists/Bands of all Times : 76 – 80

Follow-up of our TOP 100. As a reminder, clicking on the title related to the artist/band will give you more information about them.

80. The Colourfield / Terry Hall

from : Manchester, England / first great sounds : 80’s / style : sensitive pop/ essential album : Virgins and Philistines (1985)

Terry Hall was/is the main singer in great UK ska band The Specials. All his career has been made of musical experiences with different partners, sometimes with artistic or commercial success…and sometimes not. The Colourfield was a band he created with Toby Lyons in the 80’s and they made two LP’s only, the second one being nice but very 80’s sounding. Which leaves us therefore with their first LP….whih is a real masterpiece and sounds as fresh today as it did 27 years ago. I already reviewed this album when doing the best of 1985 and its title might have influenced this blog…

79. Creedence Clearwater Revival

La Chanson de la Semaine 58 dans Musique & Music creedence-clearwater-revival-reunions-617-4091 from : El Cerrito, California, USA  / first great sounds : 60’s  / style : pure american music / essential albums : Creedence Clearwater Revival (1968), Bayou Country (1969)

Lead by John Fogerty, Creedence Clearwater Revival represents as far as I am concerned the quintessence of American music. In other words, this band had American country-rock basics but went way far away creating punchy soul-influenced songs, sometimes lasting for a very long time, never in a “muso” way but on the contrary on a hyper sensitive one. Difficult music to describe actually except one could say it could satisfy a very large audience coming from very different universes. Hear their cover of “I heard it through the grapevine” and you will understand what I am trying to write.

78. Phoenix

Image result for phoenix live from : Versailles, France / first great sounds : 00’s  / style : euphoric pop/ essential albums : United (2000) / Wolfgang Amadeus Phoenix (2009)

After years of not knowing if admitting having done my studies partly in Versailles was something to be proud or ashamed, the early 00’s brought a new wave of great French bands, allowing to answer “yes” to this question. I remember not understanding why such a melodic and creative band could not be more successful when I saw them live in Strasbourg at the time of their second LP in a half empty concert hall of eighty people… But they kept oneplaying and recording and their talent has eventually being recognized, which is justice. A band to recommend to see live as they are particularly great when on stage.

77. Spiritualized

 

12 from : Rugby, England/ first great sounds : 90’s  / style : dreamy repetitive gospel-rock  / essential album : Ladies and Gentlemen…We Are Floating In Space (1997)

Essentially the child of Jason Pierce which he created after disbanded the great Spacemen 3, Spiritualized has been a band which only did good or great records in their whole career. The formula is indeed often the same and based on a slow mantra that accelerates during the length of the song and therefore creates a repetitive and hypnotic atmosphere but with something else on top brought by Jason Pierce. Their 1997 masterpiece is the kind of record everyone should play loudly at home often and even if Jason Pierce has been closed to death in the past years following a complicated surgery, the guy is with us more than ever, as can be heard in their great “Sweet Heart, Sweet Light” 2012 recent LP.

76. Ride

 from : Oxford, England / first great sounds : 90’s  / style : shoegazing godfathers  / essential albums : Nowhere (1990), Going Blank Again (1992)

I remember very well starting the 90’s, reading the NME talking about the first EP by an amazing new band called Ride and having bought this same record. Quite magical the way young and exciting new bands can arrive out of nowhere… I saw them as well opening for then very good The House of Love and the band played probably with more intensity compared to the main act. They did not last very long (1990-1996) but their melodic fuzzy rock gave us four beautiful studio albums and many great EP’s. Andy Bell and Mark Gardener went on having a so-so career after this (Andy being the bass player in Oasis!) and never managed to get better than their first records. The first two albums have been reissued so get them if not the case yet.