All Points East presents… the greatest bands in the world! Victoria Park, 2nd and 3rd June, 2018

 

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Last week was held in the very nice Mile End neighbourhood and more precisely in Victoria Park the second week-end of the new All Points East Festival. Actually, the previous week-end was the actual official festival with names such as The XX, Bjork or again LCD Soundsytem whereas the gigs I went to were part of something called “All Points East presents…”. Well, whatever the name, the real treat was in the line-up as basically I could find many of my current or past musical obsessions.

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So, for once, nothing particularly new to write again about these great bands or artists but just the pleasure in sharing a few photos of these two days: This Is The Kit, Spoon, Flyte, The War On Drugs, The National, Courtney Barnett, Patti Smith, St. Vincent and Nick Cave And The Bad Seeds. My camera was also as overwhelmed as I was by such a line-up as its lens stopped working after a certain stage…

Stay connected as next time, I will write about two amazing bands I had not seen live for decades..

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Best albums of 2017 – Top 25.

Another year goes by and the more it goes, the less it seems to make sense … but not more or less than in the previous 3,000 years I guess. On these philosophical words, let’s focus on what this blog’s editor knows best, i.e. build nice end of the year lists!

Thanks to the nice suggestion of a friend, I started at the beginning of 2017 reviews of the best albums of the month. Quite a nice story and overall it meant that I listened to even more music thanks the intensive use of the streaming service I am subscribed to but also to regular visits to my local favourite stores, Rough Trade in particular. I tried to listen to all styles of music (folk, jazz, metal, pop, world, indie, soul, hip-hop,…) and hopefully without any prejudice. I can therefore proudly claim and make official that indeed big sellers such as Katie Perry, Taylor Swift, Ed Sheeran, Miley Cyrus or again Sam Smith have all released completely boring, uninteresting or sometimes atrocious records. Not a question of snobbishness but these records are produced without any invention, emotion or soul. The below list is of course subjective but as every year is a mix of newcomers, mature bands, artist I discovered on stage or people who had an impact in 2017. I could have easily select 100 albums I can come back to on a regular basis but that was not the point.

Top 25 this year and without further due, let’s start with our Album of the Year which is a masterpiece! For the sake of clarity, you can click this year on two links: the first one will take you to the monthly review when this album went out and the second one to a potential live review if any.

Pure Comedy

#1 Father John Misty – “Pure Comedy”. Out in: April 2017Live review What makes a record one’s album of the year. Beautiful music in the way Elton John could do in his peak in the 70’s with a touch of indie rock attitude? Angry and beautiful words against the state of the world ? Sensitive songs about the difficulty in being in love and making a relationship work ? Poetry ? Amazing presence on stage ? Probably all of this but to me what made it album of the year was the constant companionship and pure rough emotion I found in this album since it went out. Joshua Tillman is definitely increasing his game with every release. Stream it, buy it, read the words, catch him live; Father John Misty has made by far the RECORD OF THE YEAR!

Yesterday's Gone #2 Loyle Carner – “Yesterday’s Gone”. Out in: January 2017. This is the amazing debut album of the young London rapper Coyle Larner. His artist name is Loyle Carner as this is the way he used to pronounce his name when he was a kid due to dyslexia. He was also diagnosed as having behaviour trouble at that age but the young man found an escape in theatre and music. After the devastating death of his father in law, he went back to his music and released this very personal album full of great soul and jazz samples. Welcome to the club of great artists young man and keep on bringing a Man Utd Eric Cantona on stage.

DAMN. #3 Kendrick Lamar – “DAMN.” Out in: April 2017. Kendrick Lamar does not need this blog to be more famous or more critically appreciated as it looks the whole world loves him now.. and other artists too as he appeared this year on many other tracks (U2, Miguel or again N.E.R.D amongst many others). This is an extraordinary album again and the young man is definitely the current most talented artist. Every new album is an exciting event so let’s hope it will last for a few more extra years.

Aromanticism #4 Moses Sumney– “Aromanticism”. Out in: September 2017. Live review. Those who are familiar with this blog may remember the emotion and positive shock I had whilst catching this young American artist live at End of the Road festival. His debut album is as amazing as he is on stage. He has the voice of an angel servicing very personal, melodic and original-sounding songs. If Bjork was a Black American young man in his 20’s, she would probably sound like him. To discover without further due.

The Loved Ones #5 Flyte – “The Loved Ones”. Out in: August 2017. A real grower that one as it was not in my August 2017 selection. This record made me young again as I discovered them after catching the cover of the record in a billboard in London (as used to be the case in ancient times). This young band from London made what I consider a classic in terms of melody and freshness of the sounds while respecting the grand tradition of great bands from the past such as Prefab Sprout, The Bluebells, Aztec Camera or again The Dream Academy. If such influences do not make you want to discover it, English pop rock bands must not be your taste!

Hot Thoughts #6 Spoon  “Hot Thoughts”. Out in: March 2017. Live review. Another great LP by this truly exceptional band. The difficulty with bands like Spoon (or The National for instance) is that one is so used to quality with each release that one has to favour more glamorous things or new ones. Let’s not fall into this easy trap and celebrate one of the most inventive bands of our times. The more they go, the better they are it seems…

Moonshine Freeze #7 This Is The Kit- “Moonshine Freeze”. Out in: July 2017. Live review. This is the second time that Kate Sable’s band ends up in our best of the year ranking after 2015 excellent “Bashed Out”. Her music is also getting more mature and accomplished and her peers start to recognize such a talent. Folk music for those who do not like it.

Lotta Sea Lice #8 Courtney Barnett & Kurt Vile  “Lotta Sea Love”. Out in: October 2017. This is typically the kind of collaboration which should have been interesting at best as very often two great artists playing together do not produce something amazing. This is totally untrue here between the young Australian singer and her male American counterpart. They built a friendship while meeting on tour, experienced a few songs and then ended making a proper LP. Very refreshing Velvet Underground-sounding music and nice words relating the troubles for those travelling a lot for their work (I guess not only musicians could relate to this!).

All - Amerikkkan Bada$$ #9 Joey Bada$$  “All – Amerikkkan Bada$$”. Out in: April 2017. Firstly for those of you who follow with the same intensity as I did “Mr. Robot”, let me precise that this is indeed the same Joey who plays Leon in the series. Having said that, Joey Bada$$ is first and foremost a great MC. This is the third hip-hop album in this selection and although I have been listening to tens of them, nothing moves me more than rappers talking about the state of the world on great soul and jazz beats and samples. Am I really that old-school?

Sleep Well Beast #10 The National  “Sleep Well Beast”. Out in: September 2017. Live review. …and here they are in this selection as well. Not a surprise for regular readers of this blog as I guess they probably have been my favourite band of the current decade. Great album as usual but this time with a leap forward in terms of electronic sounds and songs structure. In other words, they keep on being more inventive while staying what they are. One of the greatest bands of our times.

Painted Ruins #11 Grizzly Bear  “Painted Ruins”. Out in: August 2017. Live reviewGrizzly Bear have once more delivered the goods and this album is probably that where you will find the most beautiful voices of them all. This band keeps on going forward in their own very singular way and every new listen brings extra discoveries and entertainment. A great album to enter their world and potentially go backwards to their previous LP’s.

A Deeper Understanding #12 The War On Drugs  “A Deeper Understanding”. Out in: August 2017. His 2014 album “Lost In A Dream” was a masterpiece although for some reason it did not end in my end of the year list at the time; not sure why… I write “his” as the band is really the brainchild of Adam Granduciel. This new opus is as good as the previous one and the way to describe it best is to associate it with the early 80’s Bruce Springsteen records (“Born In The USA” or “Tunnel Of Love”) with an indie attitude. Play it on and you will dance to it!

Songs of Experience #13 U2  “Songs Of Experience”. Out in: December 2017. A very recent release so once again quite difficult to judge as a record very often needs time to reveal if it is a good one, a classic…or a a fake! My gut feeling is that this is one of U2’s best and a few songs already sound like stadium classics. After the fantastic “Joshua Tree” tour this year, I am looking forward to catching them… backstage for their next tour!

I See You #14 The Xx  “I See You”. Out in: January 2017. This record is on the opposite side vs. the previous one in terms of date as it was released very early in January. I had already forgotten its beauty and I had to listen to it again to get it right. The song “On Hold” is particularly very moving for this blog’s writer ; the reason being probably the great use of a Hall & Oates sample…

American Dream #15 LCD Soundsystem  “American Dream”.  Out in: September 2017. Live review. So it was not really the end of LCD Soundsystem when its leader James Murphy decided to end it all in 2011 at the Madison Square Garden… Well, I guess we should be delighted then as their comeback record is as good as their previous ones, keeping the New York Grooooove Thang sound. One of the best dance machine ever is back!

Slowdive #16 Slowdive -“Slowdive”. Out in: May 2017. Live review. Excellent shoegazing band comeback #1.

Weather Diaries #17 Ride – “Weather Diaries”. Out in: June 2017. Live review. Excellent shoe gazing band comeback #2.

Mental Illness #18 Aimee Mann – “Mental Illness”. Out in: March 2017. Live review. One of the most beautiful and singular female voices.

Masseduction #19 St. Vincent – “Masseduction”. Out in: October 2017. Perfect and moving pop music from a young woman #1.

Melodrama #20 Lorde – “Melodrama”. Out in: June 2017. Perfect and moving pop music from a young woman #2.

Villains #21 Queens Of The Stone Age – “Villains”. Out in: August 2017. No Villains, only Heroes!    

Dark Days and Canapés #22 Ghostpoet – “Dark Days + Canapés”. Out in: August 2017. Former call center British employee ; all roads lead to Rome!      

Witness #23 Benjamin Booker – “Witness”. Out in: June 2017. Blues Soul Punk Rock young master.      

In Spades #24 The Afghan Whigs – “In Spades”. Out in: May 2017. Live review. Second excellent album since they reformed.

Drunk #25 Thundercat – “Drunk”. Out in: February 2017. Soul and hip hop bass player gets solo.

So it looks the power of Anglo-Saxon music is over if you read a few magazines…but my selection is made out of artists and bands from the UK, the USA, Australia, New Zealand and Ireland only. I guess this is what moves me the most. The more it goes, the more this selection is well balanced between men and women…although I must recognize that this is still dominated by male US rock.

Other voices’ (websites, magazines, records stores, etc…) Top 10.

You will find below a selection of other lists but there are so many of them that you may also want to go to the albumoftheyear.org website to get an aggregation of them all (© JG from Garidech). Kendrick Lamar being the definite winner it seems…

  • Mojo (music mag): 1. LCD Soundsystem American Dream 2. Nadia Reid Preservation 3. Queens Of The Stone Age Villains 4. A Tribe Called Quest We Got It From Here… Thank You 4 Your Service 5. Jane Weaver Modern Kosmology 6. St. Vincent Masseduction 7. Kendrick Lamar DAMN 8. Hurray For The Riff Raff The Navigator 9. Sleaford Mods English Tapas 10. Aldous Harding Party
  • Uncut (music mag): 1. LCD Soundsystem American Dream 2. The War On Drugs A Deeper Understanding 3. Kendrick Lamar DAMN 4. The Weather Station The Weather Station 5. Joan Shelley Joan Shelley 6. Richard Dawson Peasant 7. The National Sleep Well Beast 8. Courtney Barnett & Kurt Vile Lotta Sea Lice 9. St. Vincent Masseduction 10. Hurray For The Riff Raff The Navigator
  • NME (not as great as it used to be…): 1. Lorde Melodrama 2. Wolfe Alice Visions Of A Life 3. Kendrick Lamar DAMN. 4. Father John Misty Pure Comedy 5. LCD Soundsytem American Dream 6. J Hus Common Sense 7. SZA CTRL 8. Lana Del Rey Lust For Life 9. Wiley The Godfather 10. Liam Gallagher As You Were
  • Rough Trade (London, Nottingham, Bristol and Brooklyn stores): 1. Aldous Harding Post Party 2. Ryan Adams Prisoner 3. Bjork Utopia 4. Big Thief Capacity 5. Colter Wall Colter Wall 6. Cigarettes After Sex Cigarettes After Sex 7. The Big Moon Love In The 4th Dimension 8. Jane Weaver Modern Kosmology 9. Thundercat Drunk 10. Here Lies Man Here Lies Man
  • Fopp (UK stores): 1. LCD Soundsystem American Dream 2. The Xx I See You 3. Courtney Barnett & Kurt Vile Lotta Sea Lice 4. Father John Misty Pure Comedy 5. Richard Dawson Peasant 6. Fleet Foxes Crack-Up 7. Jason Isbell And The 400 Unit The Nashville Sound 8. Tinariwen Elwan 9. The National Sleep Well Beast 10. Grizzly Bear Painted Ruins
  • HMV (UK stores): 1. St. Vincent Masseduction 2. The War On Drugs A Deeper Understanding 3. The National Sleep Well Beast 4. Father John Misty Pure Comedy 5. Cigarettes After Sex Cigarettes After Sex 6. Alvvays Antisocialites 7. Aldous Harding Party 8. Jane Weaver Modern Kosmology 9. Slowdive Slowdive 10. The Horrors V
  • Greg Kot (Sound Opinions radio DJ #1): 1. Run The Jewels Run The Jewels 3 2. Ted Leo The Hanged Man 3. Kendrick Lamar DAMN. 4. Sir the Baptist Saint Or Sinner 5. Downtown Boys Cost Of Living 6. Protomartyr Relatives In Descent 7. Vic Mensa The Autobiography 8. Mavis Staples If All I Was Was Black 9. Moses Sumney Aromanticism 10. Priests Nothing Feels Natural
  • Jim Derogatis (Sound Opinions radio DJ #2): 1. The Regrettes Fell Your Feelings Fool! 2. Downtown Boys Cost Of Living 3. Kendrick Lamar DAMN. 4. Priests Nothing Feels Natural 5. Rips Rips 6. Aimee Mann Mental Illness 7. Vic Mensa The Autobiography 8. The Feelies In Between 9. Wire Silver/Lead 10. Courtney Barnett And Kurt Vile Lotta Sea Lice
  • Pitchfork (music website): 1. Kendrick Lamar DAMN. 2. SZA Ctrl 3. King Krule The OOZ 4. Kelela Take Me Apart 5. Lorde Melodrama 6. Moses Sumney Aromanticism 7. Vince Staples Big Fish Theory 8. Tyler, The Creator Flower Boy 9. Fever Ray Plunge 10. Jlin Black Origami
  • Paste (music website): 1. Jay Som Everybody Works 2. Kendrick Lamar DAMN. 3. Father John Misty Pure Comedy 4. Run The Jewels Run The Jewels 3 5. Courtney Barnett And Kurt Vile Lotta Sea Lice 6. Sheer Mag Need To Feel Your Love 7. Alvvays Antisocialites 8. LCD Soundsystem American Dream 9. Mount Eerie A Crow Looked At Me 10. Sampha Process
  • Les Inrocks (French mag): 1. Kendrick Lamar DAMN. 2. King Krule The OOZ 3. LCD Soundsystem American Dream 4. Migos Culture 5. Alex Cameron Forced Witness 6. Juliette Armanet Petite Amie 7. Mac DeMarco This Old Dog 8. Orelsan La Fête Est Finie 9. Damso Ipséité 10. Cigarettes After Sex Cigarettes After Sex
  • The Guardian (UK daily newspaper) : 1. St. Vincent Masseduction 2. Kendrick Lamar DAMN. 3. SZA Ctrl 4. Lorde Melodrama 5. Perfume Genius No Shape  6. LCD Soundsystem American Dream 7. The War On Drugs A Deeper Understanding 8. Thundercat Drunk 9. Kelela Take Me Apart 10. Richard Dawson Peasant
  • The Independent (UK website) : 1. Loyle Carner Yesterday’s Gone 2. Lorde Melodrama 3. Rapsody Laila’s Wisdom 4. Perfume Genius No Shape 5. SZA Ctrl 6. Ghostpoet Dark Days + Canapes 7. Kendrick Lamar DAMN. 8. Syd Fin 9. Jessie Ware Glasshouse 10. Trampolene Swansea To Hornsey
  • Magic rpm (French bimonthly magazine, back in 2017…but already over in 2018?) : 1. Grizzly Bear Painted Ruins 2. Aldous Harding Party 3. Midget! Ferme Tes Jolis Cieux 4. Slowdive Slowdive 5. Kadjha Bonet The Visitor 6. Charlotte Gainsbourg Rest 7. Flotation Toy Warning The Machine That Made Us 8. Kendrick Lamar DAMN. 9. Forever Pavot La Pantoufle 10. Big Thief Capacity
  • Noise Magazine (French bimonthly magazine) : 1. Quicksand Interiors 2. Blut Aus Nord Deus Salutis Meae 3. Jessica93 Guilty Species 4. Slowdive Slowdive 5. Dead Cross Dead Cross 6. Algiers The Underside Of Power 7. Oxbow Thin Black Duke 8. Crystal Fairy Crystal Fairy 9. Sleaford Mods English Tapas 10. At The Drive-In In.ter a.lia

August 2017 Album of the month: The War On Drugs “A Deeper Understanding”

I was really expecting to struggle to find seven good albums in August but things did not work out as planned… August was actually probably the best month of the year so far in terms of quality of albums and the ones selected below are all reaching levels of excellence.

Album of the month: The War On Drugs “A Deeper Understanding” – Pop Rock – The War on Drugs is the brainchild of Adam Granduciel. After many years in being a very good band (one of his former member being the excellent Kurt Vile), their leader defined a different formula with their 2014 LP “Lost in the Dream“. It took me a bit of time to love that album which basically topped all 2014 best of lists but I must say seeing them live at End of the Road 2015 festival convinced me entirely. Their new record goes even further in this formula with hypnotic long songs. A bit as if Bruce Springsteen were playing “Dancing in the Dark” with a proper drums sound for over an hour ; who could ask for more?

  • Runner-up: Grizzly Bear“Painted Ruins” – Pop Rock – It had been quite a long time since we did not get any news from this great band but it was worth the wait. Despite having a sort of hit in 2009 with “Two Weeks“, Grizzly Bear are more a band known for their work on sounds and moody atmospheres. The first track of their new LP is called “Wasted Acres” and I guess after 20 seconds you will know if you are a fan of the band or if you feel bored. On my side, the choice has been made a long time ago so I am delighted to get a new record from such a beautiful band.
  • Also recommended:
    • The Districts “Popular Manipulations” – Pop Rock – in the same genre as TV On The Radio
    • Ghostpoet – “Dark Days + Canapés” – Urban Groove- Latest opus from soul/hip hop/indie rock master of sounds Obaro Ejimiwe
    • Nadine Shah “Holiday Destination” – Pop Rock – Hypnotic pop with political words
    • Iron & Wine “Beast Epic” – Pop Folk – First proper solo album since 2013 from our beloved Sam Beam
    • Queens of the Stone Age “Villains” – Pop Rock – This record would have been album of the month any other month. Josh Homme is the best person in the music industry with Jack White and Dave Grohl!
  • Lest we forget: album of the previous month – This Is The Kit – “Moonshine Freeze

 

My Californian rock trip, July 2016

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The blog has been away for a few months but for good reasons. First, there has been a change of office in order to deal with the exponential growth of readers all around the globe but the main reason is that one of the blog’s best reporter has been sent to the USA and more precisely in California for a couple of weeks.

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As for all good Californian journeys, better to start with San Francisco not only because the temperature difference is low vs. London but also as this is a great rock’n’roll place. A bit disappointing to be honest as the Haight and Ashbury district is not really what it used to be when bands such as Jefferson Airplane or the Grateful Dead were leading the psychedelic world but one can still sense a bit of hippie vibes when hanging around in the city. Funny as well to see for real places such as Grace Cathedral Park, as sung by Mark Kozelek in his Red House Painters days. The real music highs I experienced were the visit of the great Haight Ashbury Music Center guitar store but moreover the way I found a quite rare American edition of Virgins and Philistines by the Colourfield for only $9! I have been looking for the vinyl version of this record for a long time and found it in a store who had only a few vinyls…in a country where basically this is getting very difficult and rare to find records’ store.

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Change of atmosphere a few days later on our way from the Death Valley to Joshua Tree. “This is 9am ; let’s stop for breakfast… this place seems nice…funny that this is called Bagdad Café like that in the movie…but stop, that’s the one actually!” Yes, indeed, quite unexpected but great. For some reason, this movie has been really popular in France and Japan… and that’s it really but one cannot forget the fantastic cover of the soundtrack done by the late Jeff Buckley.

I would lie if I were to say that visiting the Joshua Tree National Park was only to see the beauties of this weird and atypical place. U2 made indeed the place more famous than it used to be with their 1987 LP and this is also the home of the Rancho de la Luna studio, home for instance of many Queens of the Stone Age records and the latest Iggy Pop LP too. However, I really booked our motel there as it looked nice, cheap and quite easy vs. our overall road trip. What a surprise then to realise at the reception desk that this is actually the motel where U2 stayed and had many famous pictures taken for the promotion of the album…close to 30 years ago now… Great place with just a few rooms and a special vibe as one can guess.

After San Francisco, Big Sur, Sequoia National Park, Death Valley and Joshua Tree, our last stop was in Los Angeles and in particular on Venice Beach. No way for a music and records lover not to pay a visit to Amoeba records which is probably the biggest independent records’ store in the world right now with Waterloo Records in Austin, Texas. Quite an amazing place indeed. I was impressed in particular by the way so many records were so well labelled and organised in such a big store and I must say it was quite easy to find out what one was looking for. But the real totally unexpected event of it was to spot Jesse Hugues, leader and singer of the Eagles of Death Metal hanging around in the store, without nobody really recognising him. I met him for a chat and although a lot of not-so-nice comments have been made about him recently, he was charming and very warm. I could really felt that the Bataclan November events were still very much in his heart and soul and that the guy feels connected forever with French people with what happened that night.

Last but by no mean least, I had been warmly recommended by a Garideche Hell’s Angels’ hipster not to leave L.A. without attending a show at the Hollywood Bowl. I did not manage to make it as the shows were not great when we were there but I had booked in advance to spend our last night at the Greek Theater to see The National, one of my favourite bands ever. The Greek Theatre bears the same concept as the Hollywood Bowl, in the sense that the audience sits outside in an amphitheatre surrounded by a beautiful landscape. Amazing place…and another great show for the National. On top of singing their usual beautiful songs which were chosen amongst all their past LP’s, the band played a few songs from their future LP which is still under a work in progress phase. Very interesting songs with more electro sounds although final versions may be quite different. The band were excellent as usual and their singer Matt Berninger particularly happy to be there, as shown with his recurring beetle-on-stage jokes. Great invitees on stage as well with Adam Granduciel from the The War on Drugs and Annie Clarke from St. Vincent…and a concert from The National would not be the same without the splendid a capella performance of “Vanderlyle Crybaby Geeks” so the show ended beautifully.

No “Californication”, neither “California uber alles”, just a great trip in one of the greatest rock’n’roll places in the world.

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End of the Road Festival, Larmer Tree Park, Dorset, 4th, 5th and 6th September 2015

End of the Road 2015, Logo Day

I think I have found what I was looking for… A festival that, despite being sold out, succeeds in :

  • having as a line-up only interesting, good or great bands
  • keeping a human face and making your life enjoyable rather than miserable with great food, not too much walk between the four beautiful music stages, easiness to get access to the camping or parking areas , clean toilets without no queue, plenty of space when one attends a gig,…
  • being really different with lots of great stores, surprise concerts in the forest, other stages (comedy, disco, cinema)…and peacocks in utter freedom
  • making you feel young again compared to other festivals ! I have never seen so many babies (not children or teenagers, I really mean babies!) but people in their 60’s as well

So, yes, English summer time means 18 degrees at best but there was no rain at all during the whole festival and Sunday was sunny and wonderful so I guess we were lucky here too. No question about it : that was my best festival of all times with Austin City Limits and although a few of you might be sceptical in not finding so many big names, the density of good bands is amazing. I attended 31 gigs in three days and did not remember a bad one (ok… maybe I should exclude Sleaford Mods… but these guys remain interesting). I had to do choices so I did not succeed in seeing such big artists as Tame Impala, Django Django, Saint Etienne, Mark Lanegan, Laura Marling or Mac De Marco but I guess I have been rewarded by those I saw. Here is the list of my favourite gigs, stage by stage. Many of these artists will be found again in my best of the year 2015 list and I must say that women are more than ever leading what is interesting in pop and rock today.

 

  • Tipi Tent

Very nice and friendly space, protected from the weather…with carpet on the floor. Temperature on site often reached around 10 degrees at night so the campfire held outside was a brilliant idea too. Three names I would like to comment on in particular. The first one was actually the first gig of the whole festival I went to (Friday 1.30pm) with a new artist named Aero Flynn. He is a friend of Justin Vernon (Bon Iver) and his music is a beautiful mix of American sensitivity with a electro/Radiohead touch. I finished my first day until midnight with another musician I have been following during these last 3 years : Jacco Gardner. This Dutch artist does a very melodic music with influences I can spot coming from the Byrds or Teenage Fanclub. But the best gig of the Tipi tent I have attended was without any question that of a UK band called This Is The Kit, lead by Kate Stables. Their music is difficult to describe ; it mixes folk and electro with a grunge attitude, whatever it means… The band were really amazed by the crowd packed in such a small area and my feeling is that they should be really successful in the years to come

 

  • Garden Stage

End of the Road 2015, Garden Stage

Without any doubt the most beautiful stage not only of the festival but of all of them. This is the place I spent most of my time and one could feel a real sense of happiness and achievement between the relaxed audience and the bands. Weird to hear regularly the typical sounds of the peacocks but this is one of the charms of the festival. Low, one of my favourite bands were the last band on this stage on the first day and theirs was the usual mix of Velvetian cool melodies and more “in your head” songs. Saturday was only dedicated to the label Heavenly, home of prestigious past names such as Doves, Edwyn Collins or Manic Street Preachers for instance and all the bands I have seen that day were really a pleasure (cf. gigs’ list page for details). But my main enthusiasm of the week-end went to the great retro/soul sounds of Natalie Prass, with whom I had the pleasure in having a 5-minute chat during the Rough Trade signature event.

  • Big Top

A more traditional tent stage as can be found in other festivals, this stage still had a je-ne-sais-quoi that still made it different ; probably the elephant hanging from the ballon under the roof…This stage was made to receive tougher sounds and the two artists I prefer there were really in that mood. Metz is not only the name of a French city but as well of a powerful trio signed on the seminal Sub Pop label. Difficult not to mention Nirvana such their music is powerful and demanding. Let’s stop the comparison here as not a lot of bands would be advantaged by such a thing but let me just write that I spent a hell of a moment with them, in the good meaning of the word. The other gig I would specifically like to mention here is that of the great Beth Jeans Houghton who has been facing this year a complete transformation under the name Du Blonde. Her music is like such a name could mean for me : great melodies with no fat and a close to the bone attitude, whilst still keeping a feminine touch. Without falling into stereotypes, she is one of these artists who achieve something more while on stage.

  • The Woods
End of the Road 2015, The Woods

The Woods, what a nice name rather than calling it main stage… As this is what it is about probably, the outdoor stage with the main space and the bigger names but with something different once again difficult to describe. Due to the choices described above, the only gig I attended on Friday was that of Torres but what a gig that was. Torres is the artist name of the American female songwriter Mackenzie Scott and her music is very intense and beautiful at the same time. Her latest LP is a real treasure and benefits from the presence of Adrian Utley from Portishead. To make it short and lazy, she is the new American PJ Harvey.

The names on Saturday were amazing. I had in mind to watch My Morning Jacket for 45 minutes before leaving to catch Saint Etienne on the Garden Stage but their concert was so great and authentic that I stayed until the end. I may have been too over familiar with this great American band and will dig again in all their records, such their musical evolution is interesting. And they really have an amazing leader with Jim James, who is able to sing like an angel during one song and play a saturated guitar solo five minutes later.

The main star and headliner of the festival was of course Sufjan Stevens, one of the best artists of our times (ranked #89 in my top 100). Although I feel that his music may sound not that warm sometimes on stage, his talent is so immense that he succeeds in making you feel very personal quiet songs, surrounded by thousands of other people. His interaction with the audience was very funny as well and full of wit. That was my third Sufjan Stevens gig and that was probably that where I found the best balance between his acoustic side and his electro one.

Sunday at the Woods was probably as good as the previous day. The festival had the good idea in closing with The War On Drugs, the band lead by Adam Granduciel and in which Kurt Vile used to play as well before going solo. Their LP “Lost in the Dream” was to be found in all best of the year 2014 lists and I must say there are probably even better on stage than on record, with a huge emphasis put in guitar solos. What Bruce Springsteen would be if he were to start today and was slightly less mainstream (and this is a compliment).

But for me the main thrill of the festival was to eventually see Future Islands. I have been a huge fan of their 2014 LP “Singles” and I guess anyone who has seen a TV live performance of the great single “Seasons” and the crazy dance moves of their singer Samuel T. Herring will not forget them in a long time. On stage, the formula is simple but super efficient : no guitar but a never ending groove beautifully orchestrated on keyboards/drums/bass by the band whereas Samuel T. Herring keeps on singing and living his songs as if it were the last day on earth. Not sure I spent a better moment this year than during the hour and fifteen minutes that last their gig.

So this is the way it ended for 2015 and the 10th anniversary of the festival, full of memories and great moments. Thanks to Sofia and Simon for having created this marvellous idea ten years ago and see you next year (already got my ticket…)!

End of the Road 2015, Logo Night